Christian Zhou-Zheng

Christian Zhou-Zheng, Philippe Pasquier

Existing work in automatic music generation has primarily focused on end-to-end systems that produce complete compositions or continuations. However, because musical composition is typically an iterative process, such systems make it difficult to engage in the back-and-forth between human and machine that is essential to computer-assisted creativity. In this study, we address the task of personalizable, multi-track, long-context, and controllable symbolic music infilling to enhance the process of computer-assisted composition. We present MIDI-RWKV, a novel model based on the RWKV-7 linear architecture, to enable efficient and coherent musical cocreation on edge devices. We also demonstrate that MIDI-RWKV admits an effective method of finetuning its initial state for personalization in the very-low-sample regime. We evaluate MIDI-RWKV and its state tuning on several quantitative and qualitative metrics, and release model weights and code at https://github.com/christianazinn/MIDI-RWKV.

Christian Zhou-Zheng, John Backsund, Dun Li Chan et al.

We present a traditional approach to symbolic piano music continuation for the MIREX 2025 Symbolic Music Generation challenge. While computational music generation has recently focused on developing large foundation models with sophisticated architectural modifications, we argue that simpler approaches remain more effective for constrained, single-instrument tasks. We thus return to a simple, unaugmented next-token-prediction objective on tokenized raw MIDI, aiming to outperform large foundation models by using better data and better fundamentals. We release model weights and code at https://github.com/christianazinn/mirex2025.