Yang Liu

Yangyang Shi, Gael Le Lan, Varun Nagaraja et al.

This paper presents an innovative approach to enhance control over audio generation by emphasizing the alignment between audio and text representations during model training. In the context of language model-based audio generation, the model leverages input from both textual and audio token representations to predict subsequent audio tokens. However, the current configuration lacks explicit regularization to ensure the alignment between the chosen text representation and the language model's predictions. Our proposal involves the incorporation of audio and text representation regularization, particularly during the classifier-free guidance (CFG) phase, where the text condition is excluded from cross attention during language model training. The aim of this proposed representation regularization is to minimize discrepancies in audio and text similarity compared to other samples within the same training batch. Experimental results on both music and audio generation tasks demonstrate that our proposed methods lead to improvements in objective metrics for both audio and music generation, as well as an enhancement in the human perception for audio generation.

Yang Liu, Alexandros Neophytou, Sunando Sengupta et al.

Convolutional neural networks (CNNs) with log-mel spectrum features have shown promising results for acoustic scene classification tasks. However, the performance of these CNN based classifiers is still lacking as they do not generalise well for unknown environments. To address this issue, we introduce an acoustic spectrum transformation network where traditional log-mel spectrums are transformed into imagined visual features (IVF). The imagined visual features are learned by exploiting the relationship between audio and visual features present in video recordings. An auto-encoder is used to encode images as visual features and a transformation network learns how to generate imagined visual features from log-mel. Our model is trained on a large dataset of Youtube videos. We test our proposed method on the scene classification task of DCASE and ESC-50, where our method outperforms other spectrum features, especially for unseen environments.

Xin Liu, Qingcai Chen, Xiangping Wu et al.

Music emotion recognition (MER) is usually regarded as a multi-label tagging task, and each segment of music can inspire specific emotion tags. Most researchers extract acoustic features from music and explore the relations between these features and their corresponding emotion tags. Considering the inconsistency of emotions inspired by the same music segment for human beings, seeking for the key acoustic features that really affect on emotions is really a challenging task. In this paper, we propose a novel MER method by using deep convolutional neural network (CNN) on the music spectrograms that contains both the original time and frequency domain information. By the proposed method, no additional effort on extracting specific features required, which is left to the training procedure of the CNN model. Experiments are conducted on the standard CAL500 and CAL500exp dataset. Results show that, for both datasets, the proposed method outperforms state-of-the-art methods.