Ben Hamscher

Felix Stillger, Ben Hamscher, Lukas Hahn et al.

Semantic segmentation is a fundamental component of visual perception in modern automotive systems, enabling pixel-level scene understanding. Near-Infrared imaging (NIR) offers stable detection under difficult illumination conditions, but the development of domain-specific semantic segmentation models remains challenging due to the lack of high-quality annotated data from real-world scenarios. Synthetic datasets offer a scalable alternative, but models trained on synthetic images often suffer performance degradation when transferred to real domains. We present the first systematic study on synthetic to real domain adaptation for semantic segmentation in NIR images in the automotive domain. We propose a generative augmentation framework that transforms synthetic images into realistic NIR-style variants via our introduced target style adaptation (TSA). TSA fine-tunes a latent diffusion model via low-rank adaptation on a small curated set of real NIR images and applies it to synthetic training data using structure-preserving multi-signal conditioning. To reduce texture bias and improve segmentation robustness, we further apply a Voronoi-based style diversification strategy (VSD) that modifies the original textures while preserving scene geometry. Experiments with multiple model architectures on NIR data from vehicle interiors and street scenes show that balancing inductive bias during training leads to noticeably more robust semantic segmentation and effectively reduces the domain gap in our real-world scenarios by up to 63.6% on exterior and 28.4% on interior data. The code is available at GitHub.

Ben Hamscher, Edgar Heinert, Annika Mütze et al.

Recent research has investigated the shape and texture biases of deep neural networks (DNNs) in image classification which influence their generalization capabilities and robustness. It has been shown that, in comparison to regular DNN training, training with stylized images reduces texture biases in image classification and improves robustness with respect to image corruptions. In an effort to advance this line of research, we examine whether style transfer can likewise deliver these two effects in semantic segmentation. To this end, we perform style transfer with style varying across artificial image areas. Those random areas are formed by a chosen number of Voronoi cells. The resulting style-transferred data is then used to train semantic segmentation DNNs with the objective of reducing their dependence on texture cues while enhancing their reliance on shape-based features. In our experiments, it turns out that in semantic segmentation, style transfer augmentation reduces texture bias and strongly increases robustness with respect to common image corruptions as well as adversarial attacks. These observations hold for convolutional neural networks and transformer architectures on the Cityscapes dataset as well as on PASCAL Context, showing the generality of the proposed method.

Ben Hamscher, Arnold Brosch, Nicolas Binninger et al.

Dance is an essential component of human culture and serves as a tool for conveying emotions and telling stories. Identifying and distinguishing dance genres based on motion data is a complex problem in human activity recognition, as many styles share similar poses, gestures, and temporal motion patterns. This work presents a lightweight framework for classifying dance styles that determines motion characteristics based on pose estimates extracted from videos. We propose temporal-spatial descriptors inspired by Laban Movement Analysis. These features capture local joint dynamics such as velocity, acceleration, and angular movement of the upper body, enabling a structured representation of spatial coordination. To further encode rhythmic and periodic aspects of movement, we integrate Fast Fourier Transform features that characterize movement patterns in the frequency domain. The proposed approach achieves robust classification of different dance styles with low computational effort, as complex model architectures are not required, and shows that interpretable motion representations can effectively capture stylistic nuances.