Soonbeom Choi

2papers

2 Papers

SDJan 24, 2024
Expressive Acoustic Guitar Sound Synthesis with an Instrument-Specific Input Representation and Diffusion Outpainting

Hounsu Kim, Soonbeom Choi, Juhan Nam

Synthesizing performing guitar sound is a highly challenging task due to the polyphony and high variability in expression. Recently, deep generative models have shown promising results in synthesizing expressive polyphonic instrument sounds from music scores, often using a generic MIDI input. In this work, we propose an expressive acoustic guitar sound synthesis model with a customized input representation to the instrument, which we call guitarroll. We implement the proposed approach using diffusion-based outpainting which can generate audio with long-term consistency. To overcome the lack of MIDI/audio-paired datasets, we used not only an existing guitar dataset but also collected data from a high quality sample-based guitar synthesizer. Through quantitative and qualitative evaluations, we show that our proposed model has higher audio quality than the baseline model and generates more realistic timbre sounds than the previous leading work.

ASOct 13, 2021
A Melody-Unsupervision Model for Singing Voice Synthesis

Soonbeom Choi, Juhan Nam

Recent studies in singing voice synthesis have achieved high-quality results leveraging advances in text-to-speech models based on deep neural networks. One of the main issues in training singing voice synthesis models is that they require melody and lyric labels to be temporally aligned with audio data. The temporal alignment is a time-exhausting manual work in preparing for the training data. To address the issue, we propose a melody-unsupervision model that requires only audio-and-lyrics pairs without temporal alignment in training time but generates singing voice audio given a melody and lyrics input in inference time. The proposed model is composed of a phoneme classifier and a singing voice generator jointly trained in an end-to-end manner. The model can be fine-tuned by adjusting the amount of supervision with temporally aligned melody labels. Through experiments in melody-unsupervision and semi-supervision settings, we compare the audio quality of synthesized singing voice. We also show that the proposed model is capable of being trained with speech audio and text labels but can generate singing voice in inference time.