STR-ELNov 19, 2018
Schur complement solver for Quantum Monte-Carlo simulations of strongly interacting fermionsMaksim Ulybyshev, Nils Kintscher, Karsten Kahl et al.
We present a non-iterative solver based on the Schur complement method for sparse linear systems of special form which appear in Quantum Monte-Carlo (QMC) simulations of strongly interacting fermions on the lattice. While the number of floating-point operations for this solver scales as the cube of the number of lattice sites, for practically relevant lattice sizes it is still significantly faster than iterative solvers such as the Conjugate Gradient method in the regime of strong inter-fermion interactions, for example, in the vicinity of quantum phase transitions. The speed-up is even more dramatic for the solution of multiple linear systems with different right-hand sides. We present benchmark results for QMC simulations of the tight-binding models on the hexagonal graphene lattice with on-site (Hubbard) and non-local (Coulomb) interactions, and demonstrate the potential for further speed-up using GPU.
CVDec 22, 2023
Synthetic images aid the recognition of human-made art forgeriesJohann Ostmeyer, Ludovica Schaerf, Pavel Buividovich et al.
Previous research has shown that Artificial Intelligence is capable of distinguishing between authentic paintings by a given artist and human-made forgeries with remarkable accuracy, provided sufficient training. However, with the limited amount of existing known forgeries, augmentation methods for forgery detection are highly desirable. In this work, we examine the potential of incorporating synthetic artworks into training datasets to enhance the performance of forgery detection. Our investigation focuses on paintings by Vincent van Gogh, for which we release the first dataset specialized for forgery detection. To reinforce our results, we conduct the same analyses on the artists Amedeo Modigliani and Raphael. We train a classifier to distinguish original artworks from forgeries. For this, we use human-made forgeries and imitations in the style of well-known artists and augment our training sets with images in a similar style generated by Stable Diffusion and StyleGAN. We find that the additional synthetic forgeries consistently improve the detection of human-made forgeries. In addition, we find that, in line with previous research, the inclusion of synthetic forgeries in the training also enables the detection of AI-generated forgeries, especially if created using a similar generator.