Andrea Fanelli

Trang Nguyen, Sidong Zhang, Shiv Shankar et al.

Understanding and forecasting audience reactions to video content are crucial for improving content creation, recommendation systems, and media analysis. To enable audience reaction prediction and other content engagement applications, we introduce $\textbf{Video2Reaction}$, a multimodal dataset that maps short movie segments to a distribution of $\textit{induced emotions}$ of viewers in the wild, as expressed through social media. $\textbf{Video2Reaction}$ spans more than 10,000 videos and serves as a reliable benchmark as well as a training resource for audience reaction prediction. To enable cost-effective continuous annotations as reactions may change over time, we develop a two-stage multi-agent pipeline using only open-source LLMs, achieving 86% correctness under blind human verification despite the inherently noisy and subjective nature of the task. We establish the first benchmark for video-to-reaction-distribution prediction in the wild and show that pretrained foundation video models fail in zero-shot settings, while finetuning transforms them into state-of-the-art predictors capable of modeling both full reaction distributions and dominant responses from video alone. However, the task remains challenging: even the strongest methods achieve only 77% Top-3 F1 in dominant reaction prediction (LLaVA-Next), highlighting a substantial gap in modeling collective audience reaction. \modification{Dataset and code are available at our project page: https://information-fusion-lab-umass.github.io/video2reaction-bench.github.io

Chiraag Kaushik, Davis Barch, Andrea Fanelli

The Linear Representation Hypothesis asserts that the embeddings learned by neural networks can be understood as linear combinations of features corresponding to high-level concepts. Based on this ansatz, sparse autoencoders (SAEs) have recently become a popular method for decomposing embeddings into a sparse combination of linear directions, which have been shown empirically to often correspond to human-interpretable semantics. However, recent attempts to apply SAEs to multimodal embedding spaces (such as the popular CLIP embeddings for image/text data) have found that SAEs often learn "split dictionaries", where most of the learned sparse features are essentially unimodal, active only for data of a single modality. In this work, we study how to effectively adapt SAEs for the setting of multimodal embeddings while ensuring multimodal alignment. We first argue that the existence of a split dictionary decomposition on an aligned embedding space implies the existence of a non-split dictionary with improved modality alignment. Then, we propose a new SAE-based approach to multimodal embedding decomposition using cross-modal random masking and group-sparse regularization. We apply our method to popular embeddings for image/text (CLIP) and audio/text (CLAP) data and show that, compared to standard SAEs, our approach learns a more multimodal dictionary while reducing the number of dead neurons and improving feature semanticity. We finally demonstrate how this improvement in alignment of concepts between modalities can enable improvements in the interpretability and control of cross-modal tasks.