Zhengwei Peng

Conghan Yue, Zhengwei Peng, Junlong Ma et al.

Image restoration refers to the process of restoring a damaged low-quality image back to its corresponding high-quality image. Typically, we use convolutional neural networks to directly learn the mapping from low-quality images to high-quality images achieving image restoration. Recently, a special type of diffusion bridge model has achieved more advanced results in image restoration. It can transform the direct mapping from low-quality to high-quality images into a diffusion process, restoring low-quality images through a reverse process. However, the current diffusion bridge restoration models do not emphasize the idea of conditional control, which may affect performance. This paper introduces the ECDB model enhancing the control of the diffusion bridge with low-quality images as conditions. Moreover, in response to the characteristic of diffusion models having low denoising level at larger values of \(\bm t \), we also propose a Conditional Fusion Schedule, which more effectively handles the conditional feature information of various modules. Experimental results prove that the ECDB model has achieved state-of-the-art results in many image restoration tasks, including deraining, inpainting and super-resolution. Code is avaliable at https://github.com/Hammour-steak/ECDB.

Songlin Yang, Haobin Zhong, Ruilin Zhang et al.

The rapid evolution of generative video foundation models has propelled the field toward professional-grade cinematic synthesis. To achieve such demanding quality, the community transitions towards Reinforcement Learning (RL) and agentic workflows. However, reliable evaluation has emerged as a critical bottleneck. Existing benchmarks predominantly evaluate ''whether it is right'' (basic prompt-following) while fundamentally neglecting ''whether it is good'' (cinematic quality, acting, and aesthetics). Furthermore, current automated metrics lack the domain-specific rigor required to provide trustworthy signals, creating a severe credibility gap between human aesthetic perception and machine scoring. To bridge this gap, we introduce EvalVerse, a comprehensive, pipeline-aware, and expert-calibrated evaluation framework. We treat video generation assessment not merely as an engineering task, but as a core scientific problem: the systematic digitization of subjective cinematic expertise. First, we organize domain knowledge into an evaluation taxonomy aligned with the professional filmmaking workflow (pre-production, production, and post-production). Second, we distill human expert judgments into a curated dataset with large-scale human annotations. Third, we inject this knowledge into Vision-Language Models (VLMs) through an expert-calibrated fine-tuning strategy, enabling the VLM to perform explicit Chain-of-Thought reasoning. Compared to previous works, EvalVerse not only retains compatibility with foundational ''rightness'' metrics, but also significantly expands the criteria to ''goodness'' and broaden the task coverage to complex multi-shot sequencing and audio-visual integration. Consequently, by providing granular diagnostic signals, EvalVerse transcends a static leaderboard and establishes a fundamental infrastructure for future work, such as reward models and evaluator agent.

Conghan Yue, Zhengwei Peng, Junlong Ma et al.

Diffusion models exhibit powerful generative capabilities enabling noise mapping to data via reverse stochastic differential equations. However, in image restoration, the focus is on the mapping relationship from low-quality to high-quality images. Regarding this issue, we introduce the Generalized Ornstein-Uhlenbeck Bridge (GOUB) model. By leveraging the natural mean-reverting property of the generalized OU process and further eliminating the variance of its steady-state distribution through the Doob's h-transform, we achieve diffusion mappings from point to point enabling the recovery of high-quality images from low-quality ones. Moreover, we unravel the fundamental mathematical essence shared by various bridge models, all of which are special instances of GOUB and empirically demonstrate the optimality of our proposed models. Additionally, we present the corresponding Mean-ODE model adept at capturing both pixel-level details and structural perceptions. Experimental outcomes showcase the state-of-the-art performance achieved by both models across diverse tasks, including inpainting, deraining, and super-resolution. Code is available at \url{https://github.com/Hammour-steak/GOUB}.