Tavi Halperin

Anthony Chen, Naomi Ken Korem, Tavi Halperin et al.

Audio-Visual Foundation Models, which are pretrained to jointly generate sound and visual content, have recently shown an unprecedented ability to model multi-modal generation and editing, opening new opportunities for downstream tasks. Among these tasks, video dubbing could greatly benefit from such priors, yet most existing solutions still rely on complex, task-specific pipelines that struggle in real-world settings. In this work, we introduce a single-model approach that adapts a foundational audio-video diffusion model for video-to-video dubbing via a lightweight LoRA. The LoRA enables the model to condition on an input audio-video while jointly generating translated audio and synchronized facial motion. To train this LoRA, we leverage the generative model itself to synthesize paired multilingual videos of the same speaker. Specifically, we generate multilingual videos with language switches within a single clip, and then inpaint the face and audio in each half to match the language of the other half. By leveraging the rich generative prior of the audio-visual model, our approach preserves speaker identity and lip synchronization while remaining robust to complex motion and real-world dynamics. We demonstrate that our approach produces high-quality dubbed videos with improved visual fidelity, lip synchronization, and robustness compared to existing dubbing pipelines.

Matan Ben-Yosef, Tavi Halperin, Naomi Ken Korem et al.

Controlling video and audio generation requires diverse modalities, from depth and pose to camera trajectories and audio transformations, yet existing approaches either train a single monolithic model for a fixed set of controls or introduce costly architectural changes for each new modality. We introduce AVControl, a lightweight, extendable framework built on LTX-2, a joint audio-visual foundation model, where each control modality is trained as a separate LoRA on a parallel canvas that provides the reference signal as additional tokens in the attention layers, requiring no architectural changes beyond the LoRA adapters themselves. We show that simply extending image-based in-context methods to video fails for structural control, and that our parallel canvas approach resolves this. On the VACE Benchmark, we outperform all evaluated baselines on depth- and pose-guided generation, inpainting, and outpainting, and show competitive results on camera control and audio-visual benchmarks. Our framework supports a diverse set of independently trained modalities: spatially-aligned controls such as depth, pose, and edges, camera trajectory with intrinsics, sparse motion control, video editing, and, to our knowledge, the first modular audio-visual controls for a joint generation model. Our method is both compute- and data-efficient: each modality requires only a small dataset and converges within a few hundred to a few thousand training steps, a fraction of the budget of monolithic alternatives. We publicly release our code and trained LoRA checkpoints.

Nir Zabari, Aharon Azulay, Alexey Gorkor et al.

The colorization of grayscale images is a complex and subjective task with significant challenges. Despite recent progress in employing large-scale datasets with deep neural networks, difficulties with controllability and visual quality persist. To tackle these issues, we present a novel image colorization framework that utilizes image diffusion techniques with granular text prompts. This integration not only produces colorization outputs that are semantically appropriate but also greatly improves the level of control users have over the colorization process. Our method provides a balance between automation and control, outperforming existing techniques in terms of visual quality and semantic coherence. We leverage a pretrained generative Diffusion Model, and show that we can finetune it for the colorization task without losing its generative power or attention to text prompts. Moreover, we present a novel CLIP-based ranking model that evaluates color vividness, enabling automatic selection of the most suitable level of vividness based on the specific scene semantics. Our approach holds potential particularly for color enhancement and historical image colorization.

Rotem Shalev-Arkushin, Aharon Azulay, Tavi Halperin et al.

Diffusion-based generative models have recently shown remarkable image and video editing capabilities. However, local video editing, particularly removal of small attributes like glasses, remains a challenge. Existing methods either alter the videos excessively, generate unrealistic artifacts, or fail to perform the requested edit consistently throughout the video. In this work, we focus on consistent and identity-preserving removal of glasses in videos, using it as a case study for consistent local attribute removal in videos. Due to the lack of paired data, we adopt a weakly supervised approach and generate synthetic imperfect data, using an adjusted pretrained diffusion model. We show that despite data imperfection, by learning from our generated data and leveraging the prior of pretrained diffusion models, our model is able to perform the desired edit consistently while preserving the original video content. Furthermore, we exemplify the generalization ability of our method to other local video editing tasks by applying it successfully to facial sticker-removal. Our approach demonstrates significant improvement over existing methods, showcasing the potential of leveraging synthetic data and strong video priors for local video editing tasks.

Aharon Azulay, Tavi Halperin, Orestis Vantzos et al.

Temporally consistent dense video annotations are scarce and hard to collect. In contrast, image segmentation datasets (and pre-trained models) are ubiquitous, and easier to label for any novel task. In this paper, we introduce a method to adapt still image segmentation models to video in an unsupervised manner, by using an optical flow-based consistency measure. To ensure that the inferred segmented videos appear more stable in practice, we verify that the consistency measure is well correlated with human judgement via a user study. Training a new multi-input multi-output decoder using this measure as a loss, together with a technique for refining current image segmentation datasets and a temporal weighted-guided filter, we observe stability improvements in the generated segmented videos with minimal loss of accuracy.

Tavi Halperin, Hanit Hakim, Orestis Vantzos et al.

We present an algorithm for producing a seamless animated loop from a single image. The algorithm detects periodic structures, such as the windows of a building or the steps of a staircase, and generates a non-trivial displacement vector field that maps each segment of the structure onto a neighboring segment along a user- or auto-selected main direction of motion. This displacement field is used, together with suitable temporal and spatial smoothing, to warp the image and produce the frames of a continuous animation loop. Our cinemagraphs are created in under a second on a mobile device. Over 140,000 users downloaded our app and exported over 350,000 cinemagraphs. Moreover, we conducted two user studies that show that users prefer our method for creating surreal and structured cinemagraphs compared to more manual approaches and compared to previous methods.

Tavi Halperin, Harel Cain, Ofir Bibi et al.

Digital videos such as those captured by a smartphone often exhibit exposure inconsistencies, a poorly exposed sky, or simply suffer from an uninteresting or plain looking sky. Professionals may edit these videos using advanced and time-consuming tools unavailable to most users, to replace the sky with a more expressive or imaginative sky. In this work, we propose an algorithm for automatic replacement of the sky region in a video with a different sky, providing nonprofessional users with a simple yet efficient tool to seamlessly replace the sky. The method is fast, achieving close to real-time performance on mobile devices and the user's involvement can remain as limited as simply selecting the replacement sky.

Tavi Halperin, Ariel Ephrat, Yedid Hoshen

Separating mixed distributions is a long standing challenge for machine learning and signal processing. Most current methods either rely on making strong assumptions on the source distributions or rely on having training samples of each source in the mixture. In this work, we introduce a new method---Neural Egg Separation---to tackle the scenario of extracting a signal from an unobserved distribution additively mixed with a signal from an observed distribution. Our method iteratively learns to separate the known distribution from progressively finer estimates of the unknown distribution. In some settings, Neural Egg Separation is initialization sensitive, we therefore introduce Latent Mixture Masking which ensures a good initialization. Extensive experiments on audio and image separation tasks show that our method outperforms current methods that use the same level of supervision, and often achieves similar performance to full supervision.

Tavi Halperin, Ariel Ephrat, Shmuel Peleg

Many speech segments in movies are re-recorded in a studio during postproduction, to compensate for poor sound quality as recorded on location. Manual alignment of the newly-recorded speech with the original lip movements is a tedious task. We present an audio-to-video alignment method for automating speech to lips alignment, stretching and compressing the audio signal to match the lip movements. This alignment is based on deep audio-visual features, mapping the lips video and the speech signal to a shared representation. Using this shared representation we compute the lip-sync error between every short speech period and every video frame, followed by the determination of the optimal corresponding frame for each short sound period over the entire video clip. We demonstrate successful alignment both quantitatively, using a human perception-inspired metric, as well as qualitatively. The strongest advantage of our audio-to-video approach is in cases where the original voice in unclear, and where a constant shift of the sound can not give a perfect alignment. In these cases state-of-the-art methods will fail.

Aviv Gabbay, Ariel Ephrat, Tavi Halperin et al.

Isolating the voice of a specific person while filtering out other voices or background noises is challenging when video is shot in noisy environments. We propose audio-visual methods to isolate the voice of a single speaker and eliminate unrelated sounds. First, face motions captured in the video are used to estimate the speaker's voice, by passing the silent video frames through a video-to-speech neural network-based model. Then the speech predictions are applied as a filter on the noisy input audio. This approach avoids using mixtures of sounds in the learning process, as the number of such possible mixtures is huge, and would inevitably bias the trained model. We evaluate our method on two audio-visual datasets, GRID and TCD-TIMIT, and show that our method attains significant SDR and PESQ improvements over the raw video-to-speech predictions, and a well-known audio-only method.

Ariel Ephrat, Tavi Halperin, Shmuel Peleg

Speechreading is the task of inferring phonetic information from visually observed articulatory facial movements, and is a notoriously difficult task for humans to perform. In this paper we present an end-to-end model based on a convolutional neural network (CNN) for generating an intelligible and natural-sounding acoustic speech signal from silent video frames of a speaking person. We train our model on speakers from the GRID and TCD-TIMIT datasets, and evaluate the quality and intelligibility of reconstructed speech using common objective measurements. We show that speech predictions from the proposed model attain scores which indicate significantly improved quality over existing models. In addition, we show promising results towards reconstructing speech from an unconstrained dictionary.

Tavi Halperin, Michael Werman

Computing the epipolar geometry from feature points between cameras with very different viewpoints is often error prone, as an object's appearance can vary greatly between images. For such cases, it has been shown that using motion extracted from video can achieve much better results than using a static image. This paper extends these earlier works based on the scene dynamics. In this paper we propose a new method to compute the epipolar geometry from a video stream, by exploiting the following observation: For a pixel p in Image A, all pixels corresponding to p in Image B are on the same epipolar line. Equivalently, the image of the line going through camera A's center and p is an epipolar line in B. Therefore, when cameras A and B are synchronized, the momentary images of two objects projecting to the same pixel, p, in camera A at times t1 and t2, lie on an epipolar line in camera B. Based on this observation we achieve fast and precise computation of epipolar lines. Calibrating cameras based on our method of finding epipolar lines is much faster and more robust than previous methods.

Tavi Halperin, Yair Poleg, Chetan Arora et al.

The possibility of sharing one's point of view makes use of wearable cameras compelling. These videos are often long, boring and coupled with extreme shake, as the camera is worn on a moving person. Fast forwarding (i.e. frame sampling) is a natural choice for quick video browsing. However, this accentuates the shake caused by natural head motion in an egocentric video, making the fast forwarded video useless. We propose EgoSampling, an adaptive frame sampling that gives stable, fast forwarded, hyperlapse videos. Adaptive frame sampling is formulated as an energy minimization problem, whose optimal solution can be found in polynomial time. We further turn the camera shake from a drawback into a feature, enabling the increase in field-of-view of the output video. This is obtained when each output frame is mosaiced from several input frames. The proposed technique also enables the generation of a single hyperlapse video from multiple egocentric videos, allowing even faster video consumption.

Gil Ben-Artzi, Tavi Halperin, Michael Werman et al.

It is known that epipolar geometry can be computed from three epipolar line correspondences but this computation is rarely used in practice since there are no simple methods to find corresponding lines. Instead, methods for finding corresponding points are widely used. This paper proposes a similarity measure between lines that indicates whether two lines are corresponding epipolar lines and enables finding epipolar line correspondences as needed for the computation of epipolar geometry. A similarity measure between two lines, suitable for video sequences of a dynamic scene, has been previously described. This paper suggests a stereo matching similarity measure suitable for images. It is based on the quality of stereo matching between the two lines, as corresponding epipolar lines yield a good stereo correspondence. Instead of an exhaustive search over all possible pairs of lines, the search space is substantially reduced when two corresponding point pairs are given. We validate the proposed method using real-world images and compare it to state-of-the-art methods. We found this method to be more accurate by a factor of five compared to the standard method using seven corresponding points and comparable to the 8-points algorithm.

Yair Poleg, Tavi Halperin, Chetan Arora et al.

While egocentric cameras like GoPro are gaining popularity, the videos they capture are long, boring, and difficult to watch from start to end. Fast forwarding (i.e. frame sampling) is a natural choice for faster video browsing. However, this accentuates the shake caused by natural head motion, making the fast forwarded video useless. We propose EgoSampling, an adaptive frame sampling that gives more stable fast forwarded videos. Adaptive frame sampling is formulated as energy minimization, whose optimal solution can be found in polynomial time. In addition, egocentric video taken while walking suffers from the left-right movement of the head as the body weight shifts from one leg to another. We turn this drawback into a feature: Stereo video can be created by sampling the frames from the left most and right most head positions of each step, forming approximate stereo-pairs.