Dan Guo

Jinxing Zhou, Jianyuan Wang, Jiayi Zhang et al.

We propose to explore a new problem called audio-visual segmentation (AVS), in which the goal is to output a pixel-level map of the object(s) that produce sound at the time of the image frame. To facilitate this research, we construct the first audio-visual segmentation benchmark (AVSBench), providing pixel-wise annotations for the sounding objects in audible videos. Two settings are studied with this benchmark: 1) semi-supervised audio-visual segmentation with a single sound source and 2) fully-supervised audio-visual segmentation with multiple sound sources. To deal with the AVS problem, we propose a novel method that uses a temporal pixel-wise audio-visual interaction module to inject audio semantics as guidance for the visual segmentation process. We also design a regularization loss to encourage the audio-visual mapping during training. Quantitative and qualitative experiments on the AVSBench compare our approach to several existing methods from related tasks, demonstrating that the proposed method is promising for building a bridge between the audio and pixel-wise visual semantics. Code is available at https://github.com/OpenNLPLab/AVSBench.

Jinxing Zhou, Xuyang Shen, Jianyuan Wang et al.

We propose a new problem called audio-visual segmentation (AVS), in which the goal is to output a pixel-level map of the object(s) that produce sound at the time of the image frame. To facilitate this research, we construct the first audio-visual segmentation benchmark, i.e., AVSBench, providing pixel-wise annotations for sounding objects in audible videos. It contains three subsets: AVSBench-object (Single-source subset, Multi-sources subset) and AVSBench-semantic (Semantic-labels subset). Accordingly, three settings are studied: 1) semi-supervised audio-visual segmentation with a single sound source; 2) fully-supervised audio-visual segmentation with multiple sound sources, and 3) fully-supervised audio-visual semantic segmentation. The first two settings need to generate binary masks of sounding objects indicating pixels corresponding to the audio, while the third setting further requires generating semantic maps indicating the object category. To deal with these problems, we propose a new baseline method that uses a temporal pixel-wise audio-visual interaction module to inject audio semantics as guidance for the visual segmentation process. We also design a regularization loss to encourage audio-visual mapping during training. Quantitative and qualitative experiments on AVSBench compare our approach to several existing methods for related tasks, demonstrating that the proposed method is promising for building a bridge between the audio and pixel-wise visual semantics. Code is available at https://github.com/OpenNLPLab/AVSBench. Online benchmark is available at http://www.avlbench.opennlplab.cn.

Jinxing Zhou, Dan Guo, Meng Wang

Visual and audio signals often coexist in natural environments, forming audio-visual events (AVEs). Given a video, we aim to localize video segments containing an AVE and identify its category. It is pivotal to learn the discriminative features for each video segment. Unlike existing work focusing on audio-visual feature fusion, in this paper, we propose a new contrastive positive sample propagation (CPSP) method for better deep feature representation learning. The contribution of CPSP is to introduce the available full or weak label as a prior that constructs the exact positive-negative samples for contrastive learning. Specifically, the CPSP involves comprehensive contrastive constraints: pair-level positive sample propagation (PSP), segment-level and video-level positive sample activation (PSA$_S$ and PSA$_V$). Three new contrastive objectives are proposed (\emph{i.e.}, $\mathcal{L}_{\text{avpsp}}$, $\mathcal{L}_\text{spsa}$, and $\mathcal{L}_\text{vpsa}$) and introduced into both the fully and weakly supervised AVE localization. To draw a complete picture of the contrastive learning in AVE localization, we also study the self-supervised positive sample propagation (SSPSP). As a result, CPSP is more helpful to obtain the refined audio-visual features that are distinguishable from the negatives, thus benefiting the classifier prediction. Extensive experiments on the AVE and the newly collected VGGSound-AVEL100k datasets verify the effectiveness and generalization ability of our method.

Jinxing Zhou, Dan Guo, Yuxin Mao et al.

Audio-Visual Video Parsing (AVVP) task aims to detect and temporally locate events within audio and visual modalities. Multiple events can overlap in the timeline, making identification challenging. While traditional methods usually focus on improving the early audio-visual encoders to embed more effective features, the decoding phase -- crucial for final event classification, often receives less attention. We aim to advance the decoding phase and improve its interpretability. Specifically, we introduce a new decoding paradigm, \underline{l}abel s\underline{e}m\underline{a}ntic-based \underline{p}rojection (LEAP), that employs labels texts of event categories, each bearing distinct and explicit semantics, for parsing potentially overlapping events.LEAP works by iteratively projecting encoded latent features of audio/visual segments onto semantically independent label embeddings. This process, enriched by modeling cross-modal (audio/visual-label) interactions, gradually disentangles event semantics within video segments to refine relevant label embeddings, guaranteeing a more discriminative and interpretable decoding process. To facilitate the LEAP paradigm, we propose a semantic-aware optimization strategy, which includes a novel audio-visual semantic similarity loss function. This function leverages the Intersection over Union of audio and visual events (EIoU) as a novel metric to calibrate audio-visual similarities at the feature level, accommodating the varied event densities across modalities. Extensive experiments demonstrate the superiority of our method, achieving new state-of-the-art performance for AVVP and also enhancing the relevant audio-visual event localization task.

Ziheng Zhou, Jinxing Zhou, Wei Qian et al.

In the field of audio-visual learning, most research tasks focus exclusively on short videos. This paper focuses on the more practical Dense Audio-Visual Event Localization (DAVEL) task, advancing audio-visual scene understanding for longer, untrimmed videos. This task seeks to identify and temporally pinpoint all events simultaneously occurring in both audio and visual streams. Typically, each video encompasses dense events of multiple classes, which may overlap on the timeline, each exhibiting varied durations. Given these challenges, effectively exploiting the audio-visual relations and the temporal features encoded at various granularities becomes crucial. To address these challenges, we introduce a novel CCNet, comprising two core modules: the Cross-Modal Consistency Collaboration (CMCC) and the Multi-Temporal Granularity Collaboration (MTGC). Specifically, the CMCC module contains two branches: a cross-modal interaction branch and a temporal consistency-gated branch. The former branch facilitates the aggregation of consistent event semantics across modalities through the encoding of audio-visual relations, while the latter branch guides one modality's focus to pivotal event-relevant temporal areas as discerned in the other modality. The MTGC module includes a coarse-to-fine collaboration block and a fine-to-coarse collaboration block, providing bidirectional support among coarse- and fine-grained temporal features. Extensive experiments on the UnAV-100 dataset validate our module design, resulting in a new state-of-the-art performance in dense audio-visual event localization. The code is available at https://github.com/zzhhfut/CCNet-AAAI2025.

Jinxing Zhou, Dan Guo, Ruohao Guo et al.

The Audio-Visual Event Localization (AVEL) task aims to temporally locate and classify video events that are both audible and visible. Most research in this field assumes a closed-set setting, which restricts these models' ability to handle test data containing event categories absent (unseen) during training. Recently, a few studies have explored AVEL in an open-set setting, enabling the recognition of unseen events as ``unknown'', but without providing category-specific semantics. In this paper, we advance the field by introducing the Open-Vocabulary Audio-Visual Event Localization (OV-AVEL) problem, which requires localizing audio-visual events and predicting explicit categories for both seen and unseen data at inference. To address this new task, we propose the OV-AVEBench dataset, comprising 24,800 videos across 67 real-life audio-visual scenes (seen:unseen = 46:21), each with manual segment-level annotation. We also establish three evaluation metrics for this task. Moreover, we investigate two baseline approaches, one training-free and one using a further fine-tuning paradigm. Specifically, we utilize the unified multimodal space from the pretrained ImageBind model to extract audio, visual, and textual (event classes) features. The training-free baseline then determines predictions by comparing the consistency of audio-text and visual-text feature similarities. The fine-tuning baseline incorporates lightweight temporal layers to encode temporal relations within the audio and visual modalities, using OV-AVEBench training data for model fine-tuning. We evaluate these baselines on the proposed OV-AVEBench dataset and discuss potential directions for future work in this new field.

Shengeng Tang, Jiayi He, Lechao Cheng et al.

Generating continuous sign language videos from discrete segments is challenging due to the need for smooth transitions that preserve natural flow and meaning. Traditional approaches that simply concatenate isolated signs often result in abrupt transitions, disrupting video coherence. To address this, we propose a novel framework, Sign-D2C, that employs a conditional diffusion model to synthesize contextually smooth transition frames, enabling the seamless construction of continuous sign language sequences. Our approach transforms the unsupervised problem of transition frame generation into a supervised training task by simulating the absence of transition frames through random masking of segments in long-duration sign videos. The model learns to predict these masked frames by denoising Gaussian noise, conditioned on the surrounding sign observations, allowing it to handle complex, unstructured transitions. During inference, we apply a linearly interpolating padding strategy that initializes missing frames through interpolation between boundary frames, providing a stable foundation for iterative refinement by the diffusion model. Extensive experiments on the PHOENIX14T, USTC-CSL100, and USTC-SLR500 datasets demonstrate the effectiveness of our method in producing continuous, natural sign language videos.

Zhenxing Zhang, Jiayan Teng, Zhuoyi Yang et al.

We present Kaleido, a subject-to-video~(S2V) generation framework, which aims to synthesize subject-consistent videos conditioned on multiple reference images of target subjects. Despite recent progress in S2V generation models, existing approaches remain inadequate at maintaining multi-subject consistency and at handling background disentanglement, often resulting in lower reference fidelity and semantic drift under multi-image conditioning. These shortcomings can be attributed to several factors. Primarily, the training dataset suffers from a lack of diversity and high-quality samples, as well as cross-paired data, i.e., paired samples whose components originate from different instances. In addition, the current mechanism for integrating multiple reference images is suboptimal, potentially resulting in the confusion of multiple subjects. To overcome these limitations, we propose a dedicated data construction pipeline, incorporating low-quality sample filtering and diverse data synthesis, to produce consistency-preserving training data. Moreover, we introduce Reference Rotary Positional Encoding (R-RoPE) to process reference images, enabling stable and precise multi-image integration. Extensive experiments across numerous benchmarks demonstrate that Kaleido significantly outperforms previous methods in consistency, fidelity, and generalization, marking an advance in S2V generation.

Dian Jin, Yanghao Zhou, Jinxing Zhou et al.

Referring Audio-Visual Segmentation (Ref-AVS) aims to segment specific objects in videos based on natural language expressions involving audio, vision, and text information. This task poses significant challenges in cross-modal reasoning and fine-grained object localization. In this paper, we propose a simple framework, SimToken, that integrates a multimodal large language model (MLLM) with the Segment Anything Model (SAM). The MLLM is guided to generate a special semantic token representing the referred object. This compact token, enriched with contextual information from all modalities, acts as a prompt to guide SAM to segment objectsacross video frames. To further improve semantic learning, we introduce a novel target-consistent semantic alignment loss that aligns token embeddings from different expressions but referring to the same object. Experiments on the Ref-AVS benchmark demonstrate that our approach achieves superior performance compared to existing methods.

Xu Wang, Shengeng Tang, Fei Wang et al.

Generating semantically coherent and visually accurate talking faces requires bridging the gap between linguistic meaning and facial articulation. Although audio-driven methods remain prevalent, their reliance on high-quality paired audio visual data and the inherent ambiguity in mapping acoustics to lip motion pose significant challenges in terms of scalability and robustness. To address these issues, we propose Text2Lip, a viseme-centric framework that constructs an interpretable phonetic-visual bridge by embedding textual input into structured viseme sequences. These mid-level units serve as a linguistically grounded prior for lip motion prediction. Furthermore, we design a progressive viseme-audio replacement strategy based on curriculum learning, enabling the model to gradually transition from real audio to pseudo-audio reconstructed from enhanced viseme features via cross-modal attention. This allows for robust generation in both audio-present and audio-free scenarios. Finally, a landmark-guided renderer synthesizes photorealistic facial videos with accurate lip synchronization. Extensive evaluations show that Text2Lip outperforms existing approaches in semantic fidelity, visual realism, and modality robustness, establishing a new paradigm for controllable and flexible talking face generation. Our project homepage is https://plyon1.github.io/Text2Lip/.

Jinxing Zhou, Dan Guo, Yiran Zhong et al.

The Audio-Visual Video Parsing task aims to identify and temporally localize the events that occur in either or both the audio and visual streams of audible videos. It often performs in a weakly-supervised manner, where only video event labels are provided, \ie, the modalities and the timestamps of the labels are unknown. Due to the lack of densely annotated labels, recent work attempts to leverage pseudo labels to enrich the supervision. A commonly used strategy is to generate pseudo labels by categorizing the known video event labels for each modality. However, the labels are still confined to the video level, and the temporal boundaries of events remain unlabeled. In this paper, we propose a new pseudo label generation strategy that can explicitly assign labels to each video segment by utilizing prior knowledge learned from the open world. Specifically, we exploit the large-scale pretrained models, namely CLIP and CLAP, to estimate the events in each video segment and generate segment-level visual and audio pseudo labels, respectively. We then propose a new loss function to exploit these pseudo labels by taking into account their category-richness and segment-richness. A label denoising strategy is also adopted to further improve the visual pseudo labels by flipping them whenever abnormally large forward losses occur. We perform extensive experiments on the LLP dataset and demonstrate the effectiveness of each proposed design and we achieve state-of-the-art video parsing performance on all types of event parsing, \ie, audio event, visual event, and audio-visual event. We also examine the proposed pseudo label generation strategy on a relevant weakly-supervised audio-visual event localization task and the experimental results again verify the benefits and generalization of our method.