Chaofeng Chen

Haoning Wu, Erli Zhang, Liang Liao et al.

The rapid increase in user-generated-content (UGC) videos calls for the development of effective video quality assessment (VQA) algorithms. However, the objective of the UGC-VQA problem is still ambiguous and can be viewed from two perspectives: the technical perspective, measuring the perception of distortions; and the aesthetic perspective, which relates to preference and recommendation on contents. To understand how these two perspectives affect overall subjective opinions in UGC-VQA, we conduct a large-scale subjective study to collect human quality opinions on overall quality of videos as well as perceptions from aesthetic and technical perspectives. The collected Disentangled Video Quality Database (DIVIDE-3k) confirms that human quality opinions on UGC videos are universally and inevitably affected by both aesthetic and technical perspectives. In light of this, we propose the Disentangled Objective Video Quality Evaluator (DOVER) to learn the quality of UGC videos based on the two perspectives. The DOVER proves state-of-the-art performance in UGC-VQA under very high efficiency. With perspective opinions in DIVIDE-3k, we further propose DOVER++, the first approach to provide reliable clear-cut quality evaluations from a single aesthetic or technical perspective. Code at https://github.com/VQAssessment/DOVER.

Haoning Wu, Chaofeng Chen, Jingwen Hou et al.

Current deep video quality assessment (VQA) methods are usually with high computational costs when evaluating high-resolution videos. This cost hinders them from learning better video-quality-related representations via end-to-end training. Existing approaches typically consider naive sampling to reduce the computational cost, such as resizing and cropping. However, they obviously corrupt quality-related information in videos and are thus not optimal for learning good representations for VQA. Therefore, there is an eager need to design a new quality-retained sampling scheme for VQA. In this paper, we propose Grid Mini-patch Sampling (GMS), which allows consideration of local quality by sampling patches at their raw resolution and covers global quality with contextual relations via mini-patches sampled in uniform grids. These mini-patches are spliced and aligned temporally, named as fragments. We further build the Fragment Attention Network (FANet) specially designed to accommodate fragments as inputs. Consisting of fragments and FANet, the proposed FrAgment Sample Transformer for VQA (FAST-VQA) enables efficient end-to-end deep VQA and learns effective video-quality-related representations. It improves state-of-the-art accuracy by around 10% while reducing 99.5% FLOPs on 1080P high-resolution videos. The newly learned video-quality-related representations can also be transferred into smaller VQA datasets, boosting performance in these scenarios. Extensive experiments show that FAST-VQA has good performance on inputs of various resolutions while retaining high efficiency. We publish our code at https://github.com/timothyhtimothy/FAST-VQA.

Chaofeng Chen, Jiadi Mo, Jingwen Hou et al.

Image Quality Assessment (IQA) is a fundamental task in computer vision that has witnessed remarkable progress with deep neural networks. Inspired by the characteristics of the human visual system, existing methods typically use a combination of global and local representations (\ie, multi-scale features) to achieve superior performance. However, most of them adopt simple linear fusion of multi-scale features, and neglect their possibly complex relationship and interaction. In contrast, humans typically first form a global impression to locate important regions and then focus on local details in those regions. We therefore propose a top-down approach that uses high-level semantics to guide the IQA network to focus on semantically important local distortion regions, named as \emph{TOPIQ}. Our approach to IQA involves the design of a heuristic coarse-to-fine network (CFANet) that leverages multi-scale features and progressively propagates multi-level semantic information to low-level representations in a top-down manner. A key component of our approach is the proposed cross-scale attention mechanism, which calculates attention maps for lower level features guided by higher level features. This mechanism emphasizes active semantic regions for low-level distortions, thereby improving performance. CFANet can be used for both Full-Reference (FR) and No-Reference (NR) IQA. We use ResNet50 as its backbone and demonstrate that CFANet achieves better or competitive performance on most public FR and NR benchmarks compared with state-of-the-art methods based on vision transformers, while being much more efficient (with only ${\sim}13\%$ FLOPS of the current best FR method). Codes are released at \url{https://github.com/chaofengc/IQA-PyTorch}.

Haoning Wu, Chaofeng Chen, Liang Liao et al.

The increased resolution of real-world videos presents a dilemma between efficiency and accuracy for deep Video Quality Assessment (VQA). On the one hand, keeping the original resolution will lead to unacceptable computational costs. On the other hand, existing practices, such as resizing and cropping, will change the quality of original videos due to the loss of details and contents, and are therefore harmful to quality assessment. With the obtained insight from the study of spatial-temporal redundancy in the human visual system and visual coding theory, we observe that quality information around a neighbourhood is typically similar, motivating us to investigate an effective quality-sensitive neighbourhood representatives scheme for VQA. In this work, we propose a unified scheme, spatial-temporal grid mini-cube sampling (St-GMS) to get a novel type of sample, named fragments. Full-resolution videos are first divided into mini-cubes with preset spatial-temporal grids, then the temporal-aligned quality representatives are sampled to compose the fragments that serve as inputs for VQA. In addition, we design the Fragment Attention Network (FANet), a network architecture tailored specifically for fragments. With fragments and FANet, the proposed efficient end-to-end FAST-VQA and FasterVQA achieve significantly better performance than existing approaches on all VQA benchmarks while requiring only 1/1612 FLOPs compared to the current state-of-the-art. Codes, models and demos are available at https://github.com/timothyhtimothy/FAST-VQA-and-FasterVQA.

Liang Liao, Kangmin Xu, Haoning Wu et al.

With the rapid growth of in-the-wild videos taken by non-specialists, blind video quality assessment (VQA) has become a challenging and demanding problem. Although lots of efforts have been made to solve this problem, it remains unclear how the human visual system (HVS) relates to the temporal quality of videos. Meanwhile, recent work has found that the frames of natural video transformed into the perceptual domain of the HVS tend to form a straight trajectory of the representations. With the obtained insight that distortion impairs the perceived video quality and results in a curved trajectory of the perceptual representation, we propose a temporal perceptual quality index (TPQI) to measure the temporal distortion by describing the graphic morphology of the representation. Specifically, we first extract the video perceptual representations from the lateral geniculate nucleus (LGN) and primary visual area (V1) of the HVS, and then measure the straightness and compactness of their trajectories to quantify the degradation in naturalness and content continuity of video. Experiments show that the perceptual representation in the HVS is an effective way of predicting subjective temporal quality, and thus TPQI can, for the first time, achieve comparable performance to the spatial quality metric and be even more effective in assessing videos with large temporal variations. We further demonstrate that by combining with NIQE, a spatial quality metric, TPQI can achieve top performance over popular in-the-wild video datasets. More importantly, TPQI does not require any additional information beyond the video being evaluated and thus can be applied to any datasets without parameter tuning. Source code is available at https://github.com/UoLMM/TPQI-VQA.

Xiaoming Li, Chaofeng Chen, Xianhui Lin et al.

How to design proper training pairs is critical for super-resolving real-world low-quality (LQ) images, which suffers from the difficulties in either acquiring paired ground-truth high-quality (HQ) images or synthesizing photo-realistic degraded LQ observations. Recent works mainly focus on modeling the degradation with handcrafted or estimated degradation parameters, which are however incapable to model complicated real-world degradation types, resulting in limited quality improvement. Notably, LQ face images, which may have the same degradation process as natural images, can be robustly restored with photo-realistic textures by exploiting their strong structural priors. This motivates us to use the real-world LQ face images and their restored HQ counterparts to model the complex real-world degradation (namely ReDegNet), and then transfer it to HQ natural images to synthesize their realistic LQ counterparts. By taking these paired HQ-LQ face images as inputs to explicitly predict the degradation-aware and content-independent representations, we could control the degraded image generation, and subsequently transfer these degradation representations from face to natural images to synthesize the degraded LQ natural images. Experiments show that our ReDegNet can well learn the real degradation process from face images. The restoration network trained with our synthetic pairs performs favorably against SOTAs. More importantly, our method provides a new way to handle the real-world complex scenarios by learning their degradation representations from the facial portions, which can be used to significantly improve the quality of non-facial areas. The source code is available at https://github.com/csxmli2016/ReDegNet.

Xiaohong Liu, Xiongkuo Min, Wei Sun et al. · eth-zurich

This paper reports on the NTIRE 2023 Quality Assessment of Video Enhancement Challenge, which will be held in conjunction with the New Trends in Image Restoration and Enhancement Workshop (NTIRE) at CVPR 2023. This challenge is to address a major challenge in the field of video processing, namely, video quality assessment (VQA) for enhanced videos. The challenge uses the VQA Dataset for Perceptual Video Enhancement (VDPVE), which has a total of 1211 enhanced videos, including 600 videos with color, brightness, and contrast enhancements, 310 videos with deblurring, and 301 deshaked videos. The challenge has a total of 167 registered participants. 61 participating teams submitted their prediction results during the development phase, with a total of 3168 submissions. A total of 176 submissions were submitted by 37 participating teams during the final testing phase. Finally, 19 participating teams submitted their models and fact sheets, and detailed the methods they used. Some methods have achieved better results than baseline methods, and the winning methods have demonstrated superior prediction performance.

Haoning Wu, Zicheng Zhang, Erli Zhang et al.

The rapid evolution of Multi-modality Large Language Models (MLLMs) has catalyzed a shift in computer vision from specialized models to general-purpose foundation models. Nevertheless, there is still an inadequacy in assessing the abilities of MLLMs on low-level visual perception and understanding. To address this gap, we present Q-Bench, a holistic benchmark crafted to systematically evaluate potential abilities of MLLMs on three realms: low-level visual perception, low-level visual description, and overall visual quality assessment. a) To evaluate the low-level perception ability, we construct the LLVisionQA dataset, consisting of 2,990 diverse-sourced images, each equipped with a human-asked question focusing on its low-level attributes. We then measure the correctness of MLLMs on answering these questions. b) To examine the description ability of MLLMs on low-level information, we propose the LLDescribe dataset consisting of long expert-labelled golden low-level text descriptions on 499 images, and a GPT-involved comparison pipeline between outputs of MLLMs and the golden descriptions. c) Besides these two tasks, we further measure their visual quality assessment ability to align with human opinion scores. Specifically, we design a softmax-based strategy that enables MLLMs to predict quantifiable quality scores, and evaluate them on various existing image quality assessment (IQA) datasets. Our evaluation across the three abilities confirms that MLLMs possess preliminary low-level visual skills. However, these skills are still unstable and relatively imprecise, indicating the need for specific enhancements on MLLMs towards these abilities. We hope that our benchmark can encourage the research community to delve deeper to discover and enhance these untapped potentials of MLLMs. Project Page: https://q-future.github.io/Q-Bench.

Haoning Wu, Chaofeng Chen, Liang Liao et al.

The temporal relationships between frames and their influences on video quality assessment (VQA) are still under-studied in existing works. These relationships lead to two important types of effects for video quality. Firstly, some temporal variations (such as shaking, flicker, and abrupt scene transitions) are causing temporal distortions and lead to extra quality degradations, while other variations (e.g. those related to meaningful happenings) do not. Secondly, the human visual system often has different attention to frames with different contents, resulting in their different importance to the overall video quality. Based on prominent time-series modeling ability of transformers, we propose a novel and effective transformer-based VQA method to tackle these two issues. To better differentiate temporal variations and thus capture the temporal distortions, we design a transformer-based Spatial-Temporal Distortion Extraction (STDE) module. To tackle with temporal quality attention, we propose the encoder-decoder-like temporal content transformer (TCT). We also introduce the temporal sampling on features to reduce the input length for the TCT, so as to improve the learning effectiveness and efficiency of this module. Consisting of the STDE and the TCT, the proposed Temporal Distortion-Content Transformers for Video Quality Assessment (DisCoVQA) reaches state-of-the-art performance on several VQA benchmarks without any extra pre-training datasets and up to 10% better generalization ability than existing methods. We also conduct extensive ablation experiments to prove the effectiveness of each part in our proposed model, and provide visualizations to prove that the proposed modules achieve our intention on modeling these temporal issues. We will publish our codes and pretrained weights later.

Haoning Wu, Liang Liao, Jingwen Hou et al.

Recent learning-based video quality assessment (VQA) algorithms are expensive to implement due to the cost of data collection of human quality opinions, and are less robust across various scenarios due to the biases of these opinions. This motivates our exploration on opinion-unaware (a.k.a zero-shot) VQA approaches. Existing approaches only considers low-level naturalness in spatial or temporal domain, without considering impacts from high-level semantics. In this work, we introduce an explicit semantic affinity index for opinion-unaware VQA using text-prompts in the contrastive language-image pre-training (CLIP) model. We also aggregate it with different traditional low-level naturalness indexes through gaussian normalization and sigmoid rescaling strategies. Composed of aggregated semantic and technical metrics, the proposed Blind Unified Opinion-Unaware Video Quality Index via Semantic and Technical Metric Aggregation (BUONA-VISTA) outperforms existing opinion-unaware VQA methods by at least 20% improvements, and is more robust than opinion-aware approaches.

Chaofeng Chen, Wei Liu, Xiao Tan et al.

The performance of face photo-sketch translation has improved a lot thanks to deep neural networks. GAN based methods trained on paired images can produce high-quality results under laboratory settings. Such paired datasets are, however, often very small and lack diversity. Meanwhile, Cycle-GANs trained with unpaired photo-sketch datasets suffer from the \emph{steganography} phenomenon, which makes them not effective to face photos in the wild. In this paper, we introduce a semi-supervised approach with a noise-injection strategy, named Semi-Cycle-GAN (SCG), to tackle these problems. For the first problem, we propose a {\em pseudo sketch feature} representation for each input photo composed from a small reference set of photo-sketch pairs, and use the resulting {\em pseudo pairs} to supervise a photo-to-sketch generator $G_{p2s}$. The outputs of $G_{p2s}$ can in turn help to train a sketch-to-photo generator $G_{s2p}$ in a self-supervised manner. This allows us to train $G_{p2s}$ and $G_{s2p}$ using a small reference set of photo-sketch pairs together with a large face photo dataset (without ground-truth sketches). For the second problem, we show that the simple noise-injection strategy works well to alleviate the \emph{steganography} effect in SCG and helps to produce more reasonable sketch-to-photo results with less overfitting than fully supervised approaches. Experiments show that SCG achieves competitive performance on public benchmarks and superior results on photos in the wild.

Haoning Wu, Liang Liao, Annan Wang et al.

The proliferation of videos collected during in-the-wild natural settings has pushed the development of effective Video Quality Assessment (VQA) methodologies. Contemporary supervised opinion-driven VQA strategies predominantly hinge on training from expensive human annotations for quality scores, which limited the scale and distribution of VQA datasets and consequently led to unsatisfactory generalization capacity of methods driven by these data. On the other hand, although several handcrafted zero-shot quality indices do not require training from human opinions, they are unable to account for the semantics of videos, rendering them ineffective in comprehending complex authentic distortions (e.g., white balance, exposure) and assessing the quality of semantic content within videos. To address these challenges, we introduce the text-prompted Semantic Affinity Quality Index (SAQI) and its localized version (SAQI-Local) using Contrastive Language-Image Pre-training (CLIP) to ascertain the affinity between textual prompts and visual features, facilitating a comprehensive examination of semantic quality concerns without the reliance on human quality annotations. By amalgamating SAQI with existing low-level metrics, we propose the unified Blind Video Quality Index (BVQI) and its improved version, BVQI-Local, which demonstrates unprecedented performance, surpassing existing zero-shot indices by at least 24\% on all datasets. Moreover, we devise an efficient fine-tuning scheme for BVQI-Local that jointly optimizes text prompts and final fusion weights, resulting in state-of-the-art performance and superior generalization ability in comparison to prevalent opinion-driven VQA methods. We conduct comprehensive analyses to investigate different quality concerns of distinct indices, demonstrating the effectiveness and rationality of our design.

Haoning Wu, Zicheng Zhang, Erli Zhang et al.

Multi-modality foundation models, as represented by GPT-4V, have brought a new paradigm for low-level visual perception and understanding tasks, that can respond to a broad range of natural human instructions in a model. While existing foundation models have shown exciting potentials on low-level visual tasks, their related abilities are still preliminary and need to be improved. In order to enhance these models, we conduct a large-scale subjective experiment collecting a vast number of real human feedbacks on low-level vision. Each feedback follows a pathway that starts with a detailed description on the low-level visual appearance (*e.g. clarity, color, brightness* of an image, and ends with an overall conclusion, with an average length of 45 words. The constructed **Q-Pathway** dataset includes 58K detailed human feedbacks on 18,973 images with diverse low-level appearance. Moreover, to enable foundation models to robustly respond to diverse types of questions, we design a GPT-participated conversion to process these feedbacks into diverse-format 200K instruction-response pairs. Experimental results indicate that the **Q-Instruct** consistently elevates low-level perception and understanding abilities across several foundational models. We anticipate that our datasets can pave the way for a future that general intelligence can perceive, understand low-level visual appearance and evaluate visual quality like a human. Our dataset, model zoo, and demo is published at: https://q-future.github.io/Q-Instruct.

Kangmin Xu, Liang Liao, Jing Xiao et al.

Image Quality Assessment (IQA) constitutes a fundamental task within the field of computer vision, yet it remains an unresolved challenge, owing to the intricate distortion conditions, diverse image contents, and limited availability of data. Recently, the community has witnessed the emergence of numerous large-scale pretrained foundation models, which greatly benefit from dramatically increased data and parameter capacities. However, it remains an open problem whether the scaling law in high-level tasks is also applicable to IQA task which is closely related to low-level clues. In this paper, we demonstrate that with proper injection of local distortion features, a larger pretrained and fixed foundation model performs better in IQA tasks. Specifically, for the lack of local distortion structure and inductive bias of vision transformer (ViT), alongside the large-scale pretrained ViT, we use another pretrained convolution neural network (CNN), which is well known for capturing the local structure, to extract multi-scale image features. Further, we propose a local distortion extractor to obtain local distortion features from the pretrained CNN and a local distortion injector to inject the local distortion features into ViT. By only training the extractor and injector, our method can benefit from the rich knowledge in the powerful foundation models and achieve state-of-the-art performance on popular IQA datasets, indicating that IQA is not only a low-level problem but also benefits from stronger high-level features drawn from large-scale pretrained models.

Wenqi Yang, Guanying Chen, Chaofeng Chen et al.

In this paper, we address the "dual problem" of multi-view scene reconstruction in which we utilize single-view images captured under different point lights to learn a neural scene representation. Different from existing single-view methods which can only recover a 2.5D scene representation (i.e., a normal / depth map for the visible surface), our method learns a neural reflectance field to represent the 3D geometry and BRDFs of a scene. Instead of relying on multi-view photo-consistency, our method exploits two information-rich monocular cues, namely shading and shadow, to infer scene geometry. Experiments on multiple challenging datasets show that our method is capable of recovering 3D geometry, including both visible and invisible parts, of a scene from single-view images. Thanks to the neural reflectance field representation, our method is robust to depth discontinuities. It supports applications like novel-view synthesis and relighting. Our code and model can be found at https://ywq.github.io/s3nerf.

Shuliang Ning, Mengcheng Lan, Yanran Li et al.

The mainstream of the existing approaches for video prediction builds up their models based on a Single-In-Single-Out (SISO) architecture, which takes the current frame as input to predict the next frame in a recursive manner. This way often leads to severe performance degradation when they try to extrapolate a longer period of future, thus limiting the practical use of the prediction model. Alternatively, a Multi-In-Multi-Out (MIMO) architecture that outputs all the future frames at one shot naturally breaks the recursive manner and therefore prevents error accumulation. However, only a few MIMO models for video prediction are proposed and they only achieve inferior performance due to the date. The real strength of the MIMO model in this area is not well noticed and is largely under-explored. Motivated by that, we conduct a comprehensive investigation in this paper to thoroughly exploit how far a simple MIMO architecture can go. Surprisingly, our empirical studies reveal that a simple MIMO model can outperform the state-of-the-art work with a large margin much more than expected, especially in dealing with longterm error accumulation. After exploring a number of ways and designs, we propose a new MIMO architecture based on extending the pure Transformer with local spatio-temporal blocks and a new multi-output decoder, namely MIMO-VP, to establish a new standard in video prediction. We evaluate our model in four highly competitive benchmarks (Moving MNIST, Human3.6M, Weather, KITTI). Extensive experiments show that our model wins 1st place on all the benchmarks with remarkable performance gains and surpasses the best SISO model in all aspects including efficiency, quantity, and quality. We believe our model can serve as a new baseline to facilitate the future research of video prediction tasks. The code will be released.

Chaofeng Chen, Annan Wang, Haoning Wu et al.

Text-to-image diffusion models are typically trained to optimize the log-likelihood objective, which presents challenges in meeting specific requirements for downstream tasks, such as image aesthetics and image-text alignment. Recent research addresses this issue by refining the diffusion U-Net using human rewards through reinforcement learning or direct backpropagation. However, many of them overlook the importance of the text encoder, which is typically pretrained and fixed during training. In this paper, we demonstrate that by finetuning the text encoder through reinforcement learning, we can enhance the text-image alignment of the results, thereby improving the visual quality. Our primary motivation comes from the observation that the current text encoder is suboptimal, often requiring careful prompt adjustment. While fine-tuning the U-Net can partially improve performance, it remains suffering from the suboptimal text encoder. Therefore, we propose to use reinforcement learning with low-rank adaptation to finetune the text encoder based on task-specific rewards, referred as \textbf{TexForce}. We first show that finetuning the text encoder can improve the performance of diffusion models. Then, we illustrate that TexForce can be simply combined with existing U-Net finetuned models to get much better results without additional training. Finally, we showcase the adaptability of our method in diverse applications, including the generation of high-quality face and hand images.

Haoning Wu, Zicheng Zhang, Weixia Zhang et al.

The explosion of visual content available online underscores the requirement for an accurate machine assessor to robustly evaluate scores across diverse types of visual contents. While recent studies have demonstrated the exceptional potentials of large multi-modality models (LMMs) on a wide range of related fields, in this work, we explore how to teach them for visual rating aligned with human opinions. Observing that human raters only learn and judge discrete text-defined levels in subjective studies, we propose to emulate this subjective process and teach LMMs with text-defined rating levels instead of scores. The proposed Q-Align achieves state-of-the-art performance on image quality assessment (IQA), image aesthetic assessment (IAA), as well as video quality assessment (VQA) tasks under the original LMM structure. With the syllabus, we further unify the three tasks into one model, termed the OneAlign. In our experiments, we demonstrate the advantage of the discrete-level-based syllabus over direct-score-based variants for LMMs. Our code and the pre-trained weights are released at https://github.com/Q-Future/Q-Align.

Haoning Wu, Hanwei Zhu, Zicheng Zhang et al.

Comparative settings (e.g. pairwise choice, listwise ranking) have been adopted by a wide range of subjective studies for image quality assessment (IQA), as it inherently standardizes the evaluation criteria across different observers and offer more clear-cut responses. In this work, we extend the edge of emerging large multi-modality models (LMMs) to further advance visual quality comparison into open-ended settings, that 1) can respond to open-range questions on quality comparison; 2) can provide detailed reasonings beyond direct answers. To this end, we propose the Co-Instruct. To train this first-of-its-kind open-source open-ended visual quality comparer, we collect the Co-Instruct-562K dataset, from two sources: (a) LLM-merged single image quality description, (b) GPT-4V "teacher" responses on unlabeled data. Furthermore, to better evaluate this setting, we propose the MICBench, the first benchmark on multi-image comparison for LMMs. We demonstrate that Co-Instruct not only achieves in average 30% higher accuracy than state-of-the-art open-source LMMs, but also outperforms GPT-4V (its teacher), on both existing related benchmarks and the proposed MICBench. Our model is published at https://huggingface.co/q-future/co-instruct.

Hao Jiang, Haoxiang Zhang, Qingshan Hou et al.

Providing high-quality item recall for text queries is crucial in large-scale e-commerce search systems. Current Embedding-based Retrieval Systems (ERS) embed queries and items into a shared low-dimensional space, but uni-modality ERS rely too heavily on textual features, making them unreliable in complex contexts. While multi-modality ERS incorporate various data sources, they often overlook individual preferences for different modalities, leading to suboptimal results. To address these issues, we propose MRSE, a Multi-modality Retrieval System that integrates text, item images, and user preferences through lightweight mixture-of-expert (LMoE) modules to better align features across and within modalities. MRSE also builds user profiles at a multi-modality level and introduces a novel hybrid loss function that enhances consistency and robustness using hard negative sampling. Experiments on a large-scale dataset from Shopee and online A/B testing show that MRSE achieves an 18.9% improvement in offline relevance and a 3.7% gain in online core metrics compared to Shopee's state-of-the-art uni-modality system.

Zicheng Zhang, Haoning Wu, Yingjie Zhou et al.

Although large multi-modality models (LMMs) have seen extensive exploration and application in various quality assessment studies, their integration into Point Cloud Quality Assessment (PCQA) remains unexplored. Given LMMs' exceptional performance and robustness in low-level vision and quality assessment tasks, this study aims to investigate the feasibility of imparting PCQA knowledge to LMMs through text supervision. To achieve this, we transform quality labels into textual descriptions during the fine-tuning phase, enabling LMMs to derive quality rating logits from 2D projections of point clouds. To compensate for the loss of perception in the 3D domain, structural features are extracted as well. These quality logits and structural features are then combined and regressed into quality scores. Our experimental results affirm the effectiveness of our approach, showcasing a novel integration of LMMs into PCQA that enhances model understanding and assessment accuracy. We hope our contributions can inspire subsequent investigations into the fusion of LMMs with PCQA, fostering advancements in 3D visual quality analysis and beyond. The code is available at https://github.com/zzc-1998/LMM-PCQA.

Chaofeng Chen, Shangchen Zhou, Liang Liao et al.

Real-world image super-resolution (RWSR) is a long-standing problem as low-quality (LQ) images often have complex and unidentified degradations. Existing methods such as Generative Adversarial Networks (GANs) or continuous diffusion models present their own issues including GANs being difficult to train while continuous diffusion models requiring numerous inference steps. In this paper, we propose an Iterative Token Evaluation and Refinement (ITER) framework for RWSR, which utilizes a discrete diffusion model operating in the discrete token representation space, i.e., indexes of features extracted from a VQGAN codebook pre-trained with high-quality (HQ) images. We show that ITER is easier to train than GANs and more efficient than continuous diffusion models. Specifically, we divide RWSR into two sub-tasks, i.e., distortion removal and texture generation. Distortion removal involves simple HQ token prediction with LQ images, while texture generation uses a discrete diffusion model to iteratively refine the distortion removal output with a token refinement network. In particular, we propose to include a token evaluation network in the discrete diffusion process. It learns to evaluate which tokens are good restorations and helps to improve the iterative refinement results. Moreover, the evaluation network can first check status of the distortion removal output and then adaptively select total refinement steps needed, thereby maintaining a good balance between distortion removal and texture generation. Extensive experimental results show that ITER is easy to train and performs well within just 8 iterative steps. Our codes will be available publicly.

Chunyi Li, Haoning Wu, Hongkun Hao et al.

With the evolution of Text-to-Image (T2I) models, the quality defects of AI-Generated Images (AIGIs) pose a significant barrier to their widespread adoption. In terms of both perception and alignment, existing models cannot always guarantee high-quality results. To mitigate this limitation, we introduce G-Refine, a general image quality refiner designed to enhance low-quality images without compromising the integrity of high-quality ones. The model is composed of three interconnected modules: a perception quality indicator, an alignment quality indicator, and a general quality enhancement module. Based on the mechanisms of the Human Visual System (HVS) and syntax trees, the first two indicators can respectively identify the perception and alignment deficiencies, and the last module can apply targeted quality enhancement accordingly. Extensive experimentation reveals that when compared to alternative optimization methods, AIGIs after G-Refine outperform in 10+ quality metrics across 4 databases. This improvement significantly contributes to the practical application of contemporary T2I models, paving the way for their broader adoption. The code will be released on https://github.com/Q-Future/Q-Refine.

Lan Yao, Chaofeng Chen, Xiaoming Li et al.

Wide-angle lens distortion in portrait photography presents a significant challenge for capturing photo-realistic and aesthetically pleasing images. Such distortions are especially noticeable in facial regions. In this work, we propose encapsulating the generative face prior as a guided natural manifold to facilitate the correction of facial regions. Moreover, a notable central symmetry relationship exists in the non-face background, yet it has not been explored in the correction process. This geometry prior motivates us to introduce a novel constraint to explicitly enforce symmetry throughout the correction process, thereby contributing to a more visually appealing and natural correction in the non-face region. Experiments demonstrate that our approach outperforms previous methods by a large margin, excelling not only in quantitative measures such as line straightness and shape consistency metrics but also in terms of perceptual visual quality. All the code and models are available at https://github.com/Dev-Mrha/DualPriorsCorrection.

Haoning Wu, Erli Zhang, Liang Liao et al.

The proliferation of in-the-wild videos has greatly expanded the Video Quality Assessment (VQA) problem. Unlike early definitions that usually focus on limited distortion types, VQA on in-the-wild videos is especially challenging as it could be affected by complicated factors, including various distortions and diverse contents. Though subjective studies have collected overall quality scores for these videos, how the abstract quality scores relate with specific factors is still obscure, hindering VQA methods from more concrete quality evaluations (e.g. sharpness of a video). To solve this problem, we collect over two million opinions on 4,543 in-the-wild videos on 13 dimensions of quality-related factors, including in-capture authentic distortions (e.g. motion blur, noise, flicker), errors introduced by compression and transmission, and higher-level experiences on semantic contents and aesthetic issues (e.g. composition, camera trajectory), to establish the multi-dimensional Maxwell database. Specifically, we ask the subjects to label among a positive, a negative, and a neutral choice for each dimension. These explanation-level opinions allow us to measure the relationships between specific quality factors and abstract subjective quality ratings, and to benchmark different categories of VQA algorithms on each dimension, so as to more comprehensively analyze their strengths and weaknesses. Furthermore, we propose the MaxVQA, a language-prompted VQA approach that modifies vision-language foundation model CLIP to better capture important quality issues as observed in our analyses. The MaxVQA can jointly evaluate various specific quality factors and final quality scores with state-of-the-art accuracy on all dimensions, and superb generalization ability on existing datasets. Code and data available at https://github.com/VQAssessment/MaxVQA.

Chaofeng Chen, Xinyu Shi, Yipeng Qin et al.

A key challenge of real-world image super-resolution (SR) is to recover the missing details in low-resolution (LR) images with complex unknown degradations (e.g., downsampling, noise and compression). Most previous works restore such missing details in the image space. To cope with the high diversity of natural images, they either rely on the unstable GANs that are difficult to train and prone to artifacts, or resort to explicit references from high-resolution (HR) images that are usually unavailable. In this work, we propose Feature Matching SR (FeMaSR), which restores realistic HR images in a much more compact feature space. Unlike image-space methods, our FeMaSR restores HR images by matching distorted LR image {\it features} to their distortion-free HR counterparts in our pretrained HR priors, and decoding the matched features to obtain realistic HR images. Specifically, our HR priors contain a discrete feature codebook and its associated decoder, which are pretrained on HR images with a Vector Quantized Generative Adversarial Network (VQGAN). Notably, we incorporate a novel semantic regularization in VQGAN to improve the quality of reconstructed images. For the feature matching, we first extract LR features with an LR encoder consisting of several Swin Transformer blocks and then follow a simple nearest neighbour strategy to match them with the pretrained codebook. In particular, we equip the LR encoder with residual shortcut connections to the decoder, which is critical to the optimization of feature matching loss and also helps to complement the possible feature matching errors. Experimental results show that our approach produces more realistic HR images than previous methods. Codes are released at \url{https://github.com/chaofengc/FeMaSR}.

Shaozhe Hao, Chaofeng Chen, Zhenfang Chen et al.

Face recognition under ideal conditions is now considered a well-solved problem with advances in deep learning. Recognizing faces under occlusion, however, still remains a challenge. Existing techniques often fail to recognize faces with both the mouth and nose covered by a mask, which is now very common under the COVID-19 pandemic. Common approaches to tackle this problem include 1) discarding information from the masked regions during recognition and 2) restoring the masked regions before recognition. Very few works considered the consistency between features extracted from masked faces and from their mask-free counterparts. This resulted in models trained for recognizing masked faces often showing degraded performance on mask-free faces. In this paper, we propose a unified framework, named Face Feature Rectification Network (FFR-Net), for recognizing both masked and mask-free faces alike. We introduce rectification blocks to rectify features extracted by a state-of-the-art recognition model, in both spatial and channel dimensions, to minimize the distance between a masked face and its mask-free counterpart in the rectified feature space. Experiments show that our unified framework can learn a rectified feature space for recognizing both masked and mask-free faces effectively, achieving state-of-the-art results. Project code: https://github.com/haoosz/FFR-Net

Chaofeng Chen, Xiaoming Li, Lingbo Yang et al.

Face restoration is important in face image processing, and has been widely studied in recent years. However, previous works often fail to generate plausible high quality (HQ) results for real-world low quality (LQ) face images. In this paper, we propose a new progressive semantic-aware style transformation framework, named PSFR-GAN, for face restoration. Specifically, instead of using an encoder-decoder framework as previous methods, we formulate the restoration of LQ face images as a multi-scale progressive restoration procedure through semantic-aware style transformation. Given a pair of LQ face image and its corresponding parsing map, we first generate a multi-scale pyramid of the inputs, and then progressively modulate different scale features from coarse-to-fine in a semantic-aware style transfer way. Compared with previous networks, the proposed PSFR-GAN makes full use of the semantic (parsing maps) and pixel (LQ images) space information from different scales of input pairs. In addition, we further introduce a semantic aware style loss which calculates the feature style loss for each semantic region individually to improve the details of face textures. Finally, we pretrain a face parsing network which can generate decent parsing maps from real-world LQ face images. Experiment results show that our model trained with synthetic data can not only produce more realistic high-resolution results for synthetic LQ inputs and but also generalize better to natural LQ face images compared with state-of-the-art methods. Codes are available at https://github.com/chaofengc/PSFRGAN.

Chaofeng Chen, Xiao Tan, Kwan-Yee K. Wong

In this paper, we propose a novel framework based on deep neural networks for face sketch synthesis from a photo. Imitating the process of how artists draw sketches, our framework synthesizes face sketches in a cascaded manner. A content image is first generated that outlines the shape of the face and the key facial features. Textures and shadings are then added to enrich the details of the sketch. We utilize a fully convolutional neural network (FCNN) to create the content image, and propose a style transfer approach to introduce textures and shadings based on a newly proposed pyramid column feature. We demonstrate that our style transfer approach based on the pyramid column feature can not only preserve more sketch details than the common style transfer method, but also surpasses traditional patch based methods. Quantitative and qualitative evaluations suggest that our framework outperforms other state-of-the-arts methods, and can also generalize well to different test images. Codes are available at https://github.com/chaofengc/Face-Sketch

Xiaoming Li, Chaofeng Chen, Shangchen Zhou et al.

Recent reference-based face restoration methods have received considerable attention due to their great capability in recovering high-frequency details on real low-quality images. However, most of these methods require a high-quality reference image of the same identity, making them only applicable in limited scenes. To address this issue, this paper suggests a deep face dictionary network (termed as DFDNet) to guide the restoration process of degraded observations. To begin with, we use K-means to generate deep dictionaries for perceptually significant face components (\ie, left/right eyes, nose and mouth) from high-quality images. Next, with the degraded input, we match and select the most similar component features from their corresponding dictionaries and transfer the high-quality details to the input via the proposed dictionary feature transfer (DFT) block. In particular, component AdaIN is leveraged to eliminate the style diversity between the input and dictionary features (\eg, illumination), and a confidence score is proposed to adaptively fuse the dictionary feature to the input. Finally, multi-scale dictionaries are adopted in a progressive manner to enable the coarse-to-fine restoration. Experiments show that our proposed method can achieve plausible performance in both quantitative and qualitative evaluation, and more importantly, can generate realistic and promising results on real degraded images without requiring an identity-belonging reference. The source code and models are available at \url{https://github.com/csxmli2016/DFDNet}.

Chaofeng Chen, Wei Liu, Xiao Tan et al.

Face sketch synthesis has made great progress in the past few years. Recent methods based on deep neural networks are able to generate high quality sketches from face photos. However, due to the lack of training data (photo-sketch pairs), none of such deep learning based methods can be applied successfully to face photos in the wild. In this paper, we propose a semi-supervised deep learning architecture which extends face sketch synthesis to handle face photos in the wild by exploiting additional face photos in training. Instead of supervising the network with ground truth sketches, we first perform patch matching in feature space between the input photo and photos in a small reference set of photo-sketch pairs. We then compose a pseudo sketch feature representation using the corresponding sketch feature patches to supervise our network. With the proposed approach, we can train our networks using a small reference set of photo-sketch pairs together with a large face photo dataset without ground truth sketches. Experiments show that our method achieve state-of-the-art performance both on public benchmarks and face photos in the wild. Codes are available at https://github.com/chaofengc/Face-Sketch-Wild.

Yachun Mi, Yu Li, Weicheng Meng et al.

The rapid growth of long-duration, high-definition videos has made efficient video quality assessment (VQA) a critical challenge. Existing research typically tackles this problem through two main strategies: reducing model parameters and resampling inputs. However, light-weight Convolution Neural Networks (CNN) and Transformers often struggle to balance efficiency with high performance due to the requirement of long-range modeling capabilities. Recently, the state-space model, particularly Mamba, has emerged as a promising alternative, offering linear complexity with respect to sequence length. Meanwhile, efficient VQA heavily depends on resampling long sequences to minimize computational costs, yet current resampling methods are often weak in preserving essential semantic information. In this work, we present MVQA, a Mamba-based model designed for efficient VQA along with a novel Unified Semantic and Distortion Sampling (USDS) approach. USDS combines semantic patch sampling from low-resolution videos and distortion patch sampling from original-resolution videos. The former captures semantically dense regions, while the latter retains critical distortion details. To prevent computation increase from dual inputs, we propose a fusion mechanism using pre-defined masks, enabling a unified sampling strategy that captures both semantic and quality information without additional computational burden. Experiments show that the proposed MVQA, equipped with USDS, achieve comparable performance to state-of-the-art methods while being $2\times$ as fast and requiring only $1/5$ GPU memory.

Hongyu Li, Chaofeng Chen, Xiaoming Li et al.

Gaussian Splatting (GS), a recent technique for converting discrete points into continuous spatial representations, has shown promising results in 3D scene modeling and 2D image super-resolution. In this paper, we explore its untapped potential for image inpainting, which demands both locally coherent pixel synthesis and globally consistent semantic restoration. We propose the first image inpainting framework based on 2D Gaussian Splatting, which encodes incomplete images into a continuous field of 2D Gaussian splat coefficients and reconstructs the final image via a differentiable rasterization process. The continuous rendering paradigm of GS inherently promotes pixel-level coherence in the inpainted results. To improve efficiency and scalability, we introduce a patch-wise rasterization strategy that reduces memory overhead and accelerates inference. For global semantic consistency, we incorporate features from a pretrained DINO model. We observe that DINO's global features are naturally robust to small missing regions and can be effectively adapted to guide semantic alignment in large-mask scenarios, ensuring that the inpainted content remains contextually consistent with the surrounding scene. Extensive experiments on standard benchmarks demonstrate that our method achieves competitive performance in both quantitative metrics and perceptual quality, establishing a new direction for applying Gaussian Splatting to 2D image processing.

Wenqi Yang, Zhenfang Chen, Chaofeng Chen et al.

This paper addresses the problem of face video inpainting. Existing video inpainting methods target primarily at natural scenes with repetitive patterns. They do not make use of any prior knowledge of the face to help retrieve correspondences for the corrupted face. They therefore only achieve sub-optimal results, particularly for faces under large pose and expression variations where face components appear very differently across frames. In this paper, we propose a two-stage deep learning method for face video inpainting. We employ 3DMM as our 3D face prior to transform a face between the image space and the UV (texture) space. In Stage I, we perform face inpainting in the UV space. This helps to largely remove the influence of face poses and expressions and makes the learning task much easier with well aligned face features. We introduce a frame-wise attention module to fully exploit correspondences in neighboring frames to assist the inpainting task. In Stage II, we transform the inpainted face regions back to the image space and perform face video refinement that inpaints any background regions not covered in Stage I and also refines the inpainted face regions. Extensive experiments have been carried out which show our method can significantly outperform methods based merely on 2D information, especially for faces under large pose and expression variations. Project page: https://ywq.github.io/FVIP

Guanying Chen, Chaofeng Chen, Shi Guo et al.

High dynamic range (HDR) video reconstruction from sequences captured with alternating exposures is a very challenging problem. Existing methods often align low dynamic range (LDR) input sequence in the image space using optical flow, and then merge the aligned images to produce HDR output. However, accurate alignment and fusion in the image space are difficult due to the missing details in the over-exposed regions and noise in the under-exposed regions, resulting in unpleasing ghosting artifacts. To enable more accurate alignment and HDR fusion, we introduce a coarse-to-fine deep learning framework for HDR video reconstruction. Firstly, we perform coarse alignment and pixel blending in the image space to estimate the coarse HDR video. Secondly, we conduct more sophisticated alignment and temporal fusion in the feature space of the coarse HDR video to produce better reconstruction. Considering the fact that there is no publicly available dataset for quantitative and comprehensive evaluation of HDR video reconstruction methods, we collect such a benchmark dataset, which contains $97$ sequences of static scenes and 184 testing pairs of dynamic scenes. Extensive experiments show that our method outperforms previous state-of-the-art methods. Our dataset, code and model will be made publicly available.

Wei Liu, Chaofeng Chen, Kwan-Yee K. Wong

In this paper, we address the problem of having characters with different scales in scene text recognition. We propose a novel scale aware feature encoder (SAFE) that is designed specifically for encoding characters with different scales. SAFE is composed of a multi-scale convolutional encoder and a scale attention network. The multi-scale convolutional encoder targets at extracting character features under multiple scales, and the scale attention network is responsible for selecting features from the most relevant scale(s). SAFE has two main advantages over the traditional single-CNN encoder used in current state-of-the-art text recognizers. First, it explicitly tackles the scale problem by extracting scale-invariant features from the characters. This allows the recognizer to put more effort in handling other challenges in scene text recognition, like those caused by view distortion and poor image quality. Second, it can transfer the learning of feature encoding across different character scales. This is particularly important when the training set has a very unbalanced distribution of character scales, as training with such a dataset will make the encoder biased towards extracting features from the predominant scale. To evaluate the effectiveness of SAFE, we design a simple text recognizer named scale-spatial attention network (S-SAN) that employs SAFE as its feature encoder, and carry out experiments on six public benchmarks. Experimental results demonstrate that S-SAN can achieve state-of-the-art (or, in some cases, extremely competitive) performance without any post-processing.