Francesca Ronchini

Keshav Bhandari, Sungkyun Chang, Abhinaba Roy et al.

Developing text-driven symbolic music generation models remains challenging due to the scarcity of aligned text-music datasets and the unreliability of automated captioning pipelines. While most efforts have focused on MIDI, sheet music representations are largely underexplored in text-driven generation. We present Text2Score, a two-stage framework comprising a planning stage and an execution stage for generating sheet music from natural language prompts. By deriving supervision signals directly from symbolic XML data, we propose an alternative training paradigm that bypasses noisy or scarce text-music pairs. In the planning stage, an LLM orchestrator translates a natural language prompt into a structured measure-wise plan defining musical attributes such as instruments, key, time signatures, harmony, etc. This plan is then consumed by a generative model in the execution stage to produce interleaved ABC notation conditioned on the plan's structural constraints. To assess output quality, we introduce an evaluation framework covering playability, readability, instrument utilization, structural complexity, and prompt adherence, validated by expert musicians. Text2Score consistently outperforms both a pure LLM-based agentic framework and three end-to-end baselines across objective and subjective dimensions. We open-source the dataset, code, evaluation set and LLM prompts used in this work; a demo is available on our project page (https://keshavbhandari.github.io/portfolio/text2score).

Francisco Messina, Francesca Ronchini, Luca Comanducci et al.

A persistent challenge in generative audio models is data replication, where the model unintentionally generates parts of its training data during inference. In this work, we address this issue in text-to-audio diffusion models by exploring the use of anti-memorization strategies. We adopt Anti-Memorization Guidance (AMG), a technique that modifies the sampling process of pre-trained diffusion models to discourage memorization. Our study explores three types of guidance within AMG, each designed to reduce replication while preserving generation quality. We use Stable Audio Open as our backbone, leveraging its fully open-source architecture and training dataset. Our comprehensive experimental analysis suggests that AMG significantly mitigates memorization in diffusion-based text-to-audio generation without compromising audio fidelity or semantic alignment.

Francesca Ronchini, Luca Comanducci, Mirco Pezzoli et al.

Reconstructing the room transfer functions needed to calculate the complex sound field in a room has several important real-world applications. However, an unpractical number of microphones is often required. Recently, in addition to classical signal processing methods, deep learning techniques have been applied to reconstruct the room transfer function starting from a very limited set of measurements at scattered points in the room. In this paper, we employ complex-valued neural networks to estimate room transfer functions in the frequency range of the first room resonances, using a few irregularly distributed microphones. To the best of our knowledge, this is the first time that complex-valued neural networks are used to estimate room transfer functions. To analyze the benefits of applying complex-valued optimization to the considered task, we compare the proposed technique with a state-of-the-art kernel-based signal processing approach for sound field reconstruction, showing that the proposed technique exhibits relevant advantages in terms of phase accuracy and overall quality of the reconstructed sound field. For informative purposes, we also compare the model with a similarly-structured data-driven approach that, however, applies a real-valued neural network to reconstruct only the magnitude of the sound field.

Riccardo Passoni, Francesca Ronchini, Luca Comanducci et al.

Text-to-audio models have recently emerged as a powerful technology for generating sound from textual descriptions. However, their high computational demands raise concerns about energy consumption and environmental impact. In this paper, we conduct an analysis of the energy usage of 7 state-of-the-art text-to-audio diffusion-based generative models, evaluating to what extent variations in generation parameters affect energy consumption at inference time. We also aim to identify an optimal balance between audio quality and energy consumption by considering Pareto-optimal solutions across all selected models. Our findings provide insights into the trade-offs between performance and environmental impact, contributing to the development of more efficient generative audio models.

Francesca Ronchini, Ho-Hsiang Wu, Wei-Cheng Lin et al.

This paper investigates the design of effective prompt strategies for generating realistic datasets using Text-To-Audio (TTA) models. We also analyze different techniques for efficiently combining these datasets to enhance their utility in sound classification tasks. By evaluating two sound classification datasets with two TTA models, we apply a range of prompt strategies. Our findings reveal that task-specific prompt strategies significantly outperform basic prompt approaches in data generation. Furthermore, merging datasets generated using different TTA models proves to enhance classification performance more effectively than merely increasing the training dataset size. Overall, our results underscore the advantages of these methods as effective data augmentation techniques using synthetic data.

Francesca Ronchini, Luca Comanducci, Simone Marcucci et al.

Text-to-music models have revolutionized the creative landscape, offering new possibilities for music creation. Yet their integration into musicians workflows remains underexplored. This paper presents a case study on how TTM models impact music production, based on a user study of their effect on producers creative workflows. Participants produce tracks using a custom tool combining TTM and source separation models. Semi-structured interviews and thematic analysis reveal key challenges, opportunities, and ethical considerations. The findings offer insights into the transformative potential of TTMs in music production, as well as challenges in their real-world integration.

Francesca Ronchini, Romain Serizel

This paper proposes a benchmark of submissions to Detection and Classification Acoustic Scene and Events 2021 Challenge (DCASE) Task 4 representing a sampling of the state-of-the-art in Sound Event Detection task. The submissions are evaluated according to the two polyphonic sound detection score scenarios proposed for the DCASE 2021 Challenge Task 4, which allow to make an analysis on whether submissions are designed to perform fine-grained temporal segmentation, coarse-grained temporal segmentation, or have been designed to be polyvalent on the scenarios proposed. We study the solutions proposed by participants to analyze their robustness to varying level target to non-target signal-to-noise ratio and to temporal localization of target sound events. A last experiment is proposed in order to study the impact of non-target events on systems outputs. Results show that systems adapted to provide coarse segmentation outputs are more robust to different target to non-target signal-to-noise ratio and, with the help of specific data augmentation methods, they are more robust to time localization of the original event. Results of the last experiment display that systems tend to spuriously predict short events when non-target events are present. This is particularly true for systems that are tailored to have a fine segmentation.

Francesca Ronchini, Romain Serizel, Nicolas Turpault et al.

Detection and Classification Acoustic Scene and Events Challenge 2021 Task 4 uses a heterogeneous dataset that includes both recorded and synthetic soundscapes. Until recently only target sound events were considered when synthesizing the soundscapes. However, recorded soundscapes often contain a substantial amount of non-target events that may affect the performance. In this paper, we focus on the impact of these non-target events in the synthetic soundscapes. Firstly, we investigate to what extent using non-target events alternatively during the training or validation phase (or none of them) helps the system to correctly detect target events. Secondly, we analyze to what extend adjusting the signal-to-noise ratio between target and non-target events at training improves the sound event detection performance. The results show that using both target and non-target events for only one of the phases (validation or training) helps the system to properly detect sound events, outperforming the baseline (which uses non-target events in both phases). The paper also reports the results of a preliminary study on evaluating the system on clips that contain only non-target events. This opens questions for future work on non-target subset and acoustic similarity between target and non-target events which might confuse the system.

Francesca Ronchini, Daniel Arteaga, Andrés Pérez-López

Sound Event Localization and Detection refers to the problem of identifying the presence of independent or temporally-overlapped sound sources, correctly identifying to which sound class it belongs, estimating their spatial directions while they are active. In the last years, neural networks have become the prevailing method for sound Event Localization and Detection task, with convolutional recurrent neural networks being among the most used systems. This paper presents a system submitted to the Detection and Classification of Acoustic Scenes and Events 2020 Challenge Task 3. The algorithm consists of a convolutional recurrent neural network using rectangular filters, specialized in recognizing significant spectral features related to the task. In order to further improve the score and to generalize the system performance to unseen data, the training dataset size has been increased using data augmentation. The technique used for that is based on channel rotations and reflection on the xy plane in the First Order Ambisonic domain, which allows improving Direction of Arrival labels keeping the physical relationships between channels. Evaluation results on the development dataset show that the proposed system outperforms the baseline results, considerably improving Error Rate and F-score for location-aware detection.