5.1SDMay 8
A Decomposed Retrieval-Edit-Rerank Framework for Chord GenerationQiqi He, Dichucheng Li, Xiaoheng Sun et al.
Chord generation is an inherently constrained creative task that requires balancing stylistic diversity with music-theoretic feasibility. Existing approaches typically entangle candidate generation and constraint enforcement within a single model, making the diversity-feasibility trade-off difficult to control and interpret. In this work, we approach chord generation from a system-level perspective, introducing a Retrieval-Edit-Rerank (RER) framework that decomposes the task into three explicit stages: i) retrieval, which defines a stylistically plausible candidate space; ii) editing, which enforces music-theoretic feasibility through minimal modifications; and iii) reranking, which resolves soft preferences among feasible candidates. This separation provides a controllable pipeline, where each component addresses a distinct aspect of the generation process, thereby enhancing both the interpretability and adjustability of the output chords. Through objective metrics and subjective evaluation, our decomposed system outperforms all end-to-end chord generation baselines in balancing chord diversity and music-theoretic feasibility. Ablation studies further confirm the complementary roles of each stage in creative exploration and constraint satisfaction.
DEEPCHORUS: A Hybrid Model of Multi-scale Convolution and Self-attention for Chorus DetectionQiqi He, Xiaoheng Sun, Yi Yu et al.
Chorus detection is a challenging problem in musical signal processing as the chorus often repeats more than once in popular songs, usually with rich instruments and complex rhythm forms. Most of the existing works focus on the receptiveness of chorus sections based on some explicit features such as loudness and occurrence frequency. These pre-assumptions for chorus limit the generalization capacity of these methods, causing misdetection on other repeated sections such as verse. To solve the problem, in this paper we propose an end-to-end chorus detection model DeepChorus, reducing the engineering effort and the need for prior knowledge. The proposed model includes two main structures: i) a Multi-Scale Network to derive preliminary representations of chorus segments, and ii) a Self-Attention Convolution Network to further process the features into probability curves representing chorus presence. To obtain the final results, we apply an adaptive threshold to binarize the original curve. The experimental results show that DeepChorus outperforms existing state-of-the-art methods in most cases.
3.3ASSep 3, 2021
Musical Tempo Estimation Using a Multi-scale NetworkXiaoheng Sun, Qiqi He, Yongwei Gao et al.
Recently, some single-step systems without onset detection have shown their effectiveness in automatic musical tempo estimation. Following the success of these systems, in this paper we propose a Multi-scale Grouped Attention Network to further explore the potential of such methods. A multi-scale structure is introduced as the overall network architecture where information from different scales is aggregated to strengthen contextual feature learning. Furthermore, we propose a Grouped Attention Module as the key component of the network. The proposed module separates the input feature into several groups along the frequency axis, which makes it capable of capturing long-range dependencies from different frequency positions on the spectrogram. In comparison experiments, the results on public datasets show that the proposed model outperforms existing state-of-the-art methods on Accuracy1.
1.2ASJul 18, 2021
Residual Attention Based Network for Automatic Classification of Phonation ModesXiaoheng Sun, Yiliang Jiang, Wei Li
Phonation mode is an essential characteristic of singing style as well as an important expression of performance. It can be classified into four categories, called neutral, breathy, pressed and flow. Previous studies used voice quality features and feature engineering for classification. While deep learning has achieved significant progress in other fields of music information retrieval (MIR), there are few attempts in the classification of phonation modes. In this study, a Residual Attention based network is proposed for automatic classification of phonation modes. The network consists of a convolutional network performing feature processing and a soft mask branch enabling the network focus on a specific area. In comparison experiments, the models with proposed network achieve better results in three of the four datasets than previous works, among which the highest classification accuracy is 94.58%, 2.29% higher than the baseline.