Xie Chen

Haina Zhu, Yizhi Zhou, Hangting Chen et al.

Recent years have witnessed the success of foundation models pre-trained with self-supervised learning (SSL) in various music informatics understanding tasks, including music tagging, instrument classification, key detection, and more. In this paper, we propose a self-supervised music representation learning model for music understanding. Distinguished from previous studies adopting random projection or existing neural codec, the proposed model, named MuQ, is trained to predict tokens generated by Mel Residual Vector Quantization (Mel-RVQ). Our Mel-RVQ utilizes residual linear projection structure for Mel spectrum quantization to enhance the stability and efficiency of target extraction and lead to better performance. Experiments in a large variety of downstream tasks demonstrate that MuQ outperforms previous self-supervised music representation models with only 0.9K hours of open-source pre-training data. Scaling up the data to over 160K hours and adopting iterative training consistently improve the model performance. To further validate the strength of our model, we present MuQ-MuLan, a joint music-text embedding model based on contrastive learning, which achieves state-of-the-art performance in the zero-shot music tagging task on the MagnaTagATune dataset. Code and checkpoints are open source in https://github.com/tencent-ailab/MuQ.

Zheng Lian, Haiyang Sun, Licai Sun et al.

Multimodal emotion recognition is an important research topic in artificial intelligence. Over the past few decades, researchers have made remarkable progress by increasing the dataset size and building more effective algorithms. However, due to problems such as complex environments and inaccurate annotations, current systems are hard to meet the demands of practical applications. Therefore, we organize the MER series of competitions to promote the development of this field. Last year, we launched MER2023, focusing on three interesting topics: multi-label learning, noise robustness, and semi-supervised learning. In this year's MER2024, besides expanding the dataset size, we further introduce a new track around open-vocabulary emotion recognition. The main purpose of this track is that existing datasets usually fix the label space and use majority voting to enhance the annotator consistency. However, this process may lead to inaccurate annotations, such as ignoring non-majority or non-candidate labels. In this track, we encourage participants to generate any number of labels in any category, aiming to describe emotional states as accurately as possible. Our baseline code relies on MERTools and is available at: https://github.com/zeroQiaoba/MERTools/tree/master/MER2024.

Ziyang Ma, Zhisheng Zheng, Jiaxin Ye et al.

We propose emotion2vec, a universal speech emotion representation model. emotion2vec is pre-trained on open-source unlabeled emotion data through self-supervised online distillation, combining utterance-level loss and frame-level loss during pre-training. emotion2vec outperforms state-of-the-art pre-trained universal models and emotion specialist models by only training linear layers for the speech emotion recognition task on the mainstream IEMOCAP dataset. In addition, emotion2vec shows consistent improvements among 10 different languages of speech emotion recognition datasets. emotion2vec also shows excellent results on other emotion tasks, such as song emotion recognition, emotion prediction in conversation, and sentiment analysis. Comparison experiments, ablation experiments, and visualization comprehensively demonstrate the universal capability of the proposed emotion2vec. To the best of our knowledge, emotion2vec is the first universal representation model in various emotion-related tasks, filling a gap in the field.

Yakun Song, Xiaobin Zhuang, Jiawei Chen et al.

Recent attempts to interleave autoregressive (AR) sketchers with diffusion-based refiners over continuous speech representations have shown promise, but they remain brittle under distribution shift and offer limited levers for controllability. We introduce DISTAR, a zero-shot text-to-speech framework that operates entirely in a discrete residual vector quantization (RVQ) code space and tightly couples an AR language model with a masked diffusion model, without forced alignment or a duration predictor. Concretely, DISTAR drafts block-level RVQ tokens with an AR language model and then performs parallel masked-diffusion infilling conditioned on the draft to complete the next block, yielding long-form synthesis with blockwise parallelism while mitigating classic AR exposure bias. The discrete code space affords explicit control at inference: DISTAR produces high-quality audio under both greedy and sample-based decoding using classifier-free guidance, supports trade-offs between robustness and diversity, and enables variable bit-rate and controllable computation via RVQ layer pruning at test time. Extensive experiments and ablations demonstrate that DISTAR surpasses state-of-the-art zero-shot TTS systems in robustness, naturalness, and speaker/style consistency, while maintaining rich output diversity. Audio samples are provided on https://anonymous.4open.science/w/DiSTAR_demo.