Gregory Slabaugh

Tatiana Gaintseva, Akshit Achara, Gregory Slabaugh et al.

Text-to-image diffusion models power everyday creative tasks, but they still reproduce the demographic biases in their training data. On common prompts such as ``a photo of a nurse,'' ``a photo of a CEO'', they skew their outputs toward one gender, driven by the statistics of training data rather than anything in the text. Existing debiasing methods show promise in narrow settings but require retraining, batch-level control, or prompt-specific tuning, limiting their scalability. We propose \emph{EquiSteer}, a training-free method that works per sample by steering cross-attention (CA) activations at inference time. For each target attribute, EquiSteer precomputes steering vectors from contrastive prompts. Then at generation time, a prompt-aware gate leaves attribute-specific prompts untouched, while for neutral ones it clears existing attribute signals from the CA activations and injects a target attribute. Across SD-1.5, SD-2.1, SDXL, and SANA, EquiSteer reduces the average parity gap by up to $87\%$, with minimal effect on image quality and text-image alignment. Code is available at \href{https://github.com/Atmyre/EquiSteer}{https://github.com/Atmyre/EquiSteer}.%

Jiahao Yang, Xiaohang Yang, Qing Wang et al.

Modeling dynamic facial expressions using 3D Gaussian representations remains challenging due to their unstructured nature. Conventional Gaussian avatar pipelines require extensive multiview and sequential expression data, limiting scalability and accessibility. In this work, we introduce Self-Adaptive Gaussian Expression (SAGE), a framework for self-learning expression-induced Gaussian deformations that enables high-fidelity, animatable avatars from minimal input data. Our method jointly optimizes 2D Gaussian surfels and a Signed Distance Field (SDF) to enforce compact, surface-aligned Gaussian distributions, while a self-supervised expression learning phase replaces long training sequences with geometric and appearance consistency constraints. This design allows flexible deployment across multiple reconstruction regimes: in the multiview setting, only a single frame (timestep) is required instead of thousands; in the monocular setting, only head rotations are needed without expression sequences; and in the one-shot setting, no pretraining or priors are necessary. Experiments demonstrate that our approach achieves reconstruction and animation quality comparable to state-of-the-art methods, while reducing data requirements by several orders of magnitude. Our results highlight the potential of self-supervised Gaussian deformation learning as a step toward accessible, data-efficient avatar creation.

Qing Wang, Xiaohang Yang, Yilan Dong et al.

Music-to-dance generation aims to synthesize human dance motion conditioned on musical input. Despite recent progress, significant challenges remain due to the semantic gap between music and dance motion, as music offers only abstract cues, such as melody, groove, and emotion, without explicitly specifying the physical movements. Moreover, a single piece of music can produce multiple plausible dance interpretations. This one-to-many mapping demands additional guidance, as music alone provides limited information for generating diverse dance movements. The challenge is further amplified by the scarcity of paired music and dance data, which restricts the modelâĂŹs ability to learn diverse dance patterns. In this paper, we introduce DanceChat, a Large Language Model (LLM)-guided music-to-dance generation approach. We use an LLM as a choreographer that provides textual motion instructions, offering explicit, high-level guidance for dance generation. This approach goes beyond implicit learning from music alone, enabling the model to generate dance that is both more diverse and better aligned with musical styles. Our approach consists of three components: (1) an LLM-based pseudo instruction generation module that produces textual dance guidance based on music style and structure, (2) a multi-modal feature extraction and fusion module that integrates music, rhythm, and textual guidance into a shared representation, and (3) a diffusion-based motion synthesis module together with a multi-modal alignment loss, which ensures that the generated dance is aligned with both musical and textual cues. Extensive experiments on AIST++ and human evaluations show that DanceChat outperforms state-of-the-art methods both qualitatively and quantitatively.