Song Aesthetics Evaluation with Multi-Stem Attention and Hierarchical Uncertainty ModelingYishan Lv, Jing Luo, Boyuan Ju et al.
Music generative artificial intelligence (AI) is rapidly expanding music content, necessitating automated song aesthetics evaluation. However, existing studies largely focus on speech, audio or singing quality, leaving song aesthetics underexplored. Moreover, conventional approaches often predict a precise Mean Opinion Score (MOS) value directly, which struggles to capture the nuances of human perception in song aesthetics evaluation. This paper proposes a song-oriented aesthetics evaluation framework, featuring two novel modules: 1) Multi-Stem Attention Fusion (MSAF) builds bidirectional cross-attention between mixture-vocal and mixture-accompaniment pairs, fusing them to capture complex musical features; 2) Hierarchical Granularity-Aware Interval Aggregation (HiGIA) learns multi-granularity score probability distributions, aggregates them into a score interval, and applies a regression within the interval to produce the final score. We evaluated on two datasets of full-length songs: SongEval dataset (AI-generated) and an internal aesthetics dataset (human-created), and compared with two state-of-the-art (SOTA) models. Results show that the proposed method achieves stronger performance for multi-dimensional song aesthetics evaluation. The inference code and checkpoint are publicly available at https://github.com/yisan33/song-aesthetics-evaluation.
8.8SDJul 18
Is One Score Enough? Assessing Singing Quality of Songs with Temporal Score CurvesYishan Lv, Jing Luo, Xinyu Yang et al.
Singing Quality Assessment (SQA) has become increasingly important for practical multimedia applications and Music AI systems, yet existing studies predominantly focus on short singing clips and remain insufficient for full-length songs. Unlike clip-level assessment, full-length song SQA requires modeling how singing quality varies across different audio segments and how these local variations influence the overall evaluation of vocal performance. Moreover, the scarcity of segment-level annotations makes effective supervision challenging, as directly assigning a single overall score label to every segment tends to treat different segment qualities as equivalent. To address these challenges, we propose SongSQA, a two-stage framework for full-length song SQA. In the first stage, a Segment Score Predictor is trained with pseudo labels generated by a pre-trained teacher model, enabling segment-level singing quality prediction without requiring manual segment annotations. In the second stage, a Song Quality Aggregator integrates segment features and predicted segment scores into unified segment embeddings, and employs a learnable song embedding together with self-attention to capture the connection between segment-level vocal performance and overall song quality. In this way, SongSQA dynamically aggregates critical quality cues across the song to produce a holistic quality prediction, while also generating a temporal segment-level quality curve. Experimental results demonstrate the effectiveness of SongSQA for full-length song SQA, achieving up to a 13.95% relative improvement in KTAU over the strongest baseline, while consistently improving other evaluation metrics across all datasets.