Ziyi Wang

2papers

2 Papers

14.7CVJul 2Code
Interpretation-Oriented Cloud Removal via Observation-Anchored Residual Flow with Geo-Contextual Alignment

Ziyao Wang, Maonan Wang, Yucheng He et al.

Cloud removal (CR) is essential for optical remote sensing, serving as a prerequisite for reliable downstream interpretation, such as semantic segmentation and change detection. However, existing CR approaches often prioritize visual realism while overlooking their impact on subsequent analytical tasks, leading to semantic drift and degraded downstream performance. To address this issue, we propose Geo-Anchored Cloud Removal (GACR), a unified framework that jointly ensures faithful reconstruction and robust interpretability. At its core, GACR incorporates Observation-Anchored Residual Flow (OAR-Flow), which reformulates CR as a physically grounded residual inversion process. By anchoring the generative trajectory to the cloudy observation rather than pure noise, OAR-Flow enables fast, stable, and faithful reconstruction. To further preserve semantic structures critical for downstream interpretation, GACR integrates Geo-Contextual Prior Alignment (GCPA) to constrain the reconstruction within a semantic manifold induced by a Vision Foundation Model (VFM). Consequently, GACR strictly maintains the spatial-semantic integrity of complex landscapes. Extensive experiments across six CR datasets and twelve downstream tasks demonstrate that GACR produces superior reconstruction quality while consistently improving downstream task accuracy. The code is available at https://github.com/wzy6055/GACR.

3.0HCJul 2
Made to Feel: How Designers Bring Emotions into Affective Visualization

Yixin Bai, Ziyi Wang, Keke Wu et al.

Affective visualization is increasingly studied in visualization research, yet how designers bring emotions into their visualization work remains unexplored. This paper addresses this gap through semi-structured interviews with 15 visualization practitioners. Using hybrid thematic analysis, we identify: (1) three functions that emotions can serve for viewers (entry, engagement, outcome); (2) three facets of how designers work with emotion (data, design, audience), along with design strategies; and (3) ethical considerations in the design process. We also observe that affective intent often emerges during the design process rather than being planned from the outset, and that emotional impact arises from accumulated design choices rather than isolated visual elements. Finally, we highlight evaluation as a key challenge identified by our participants.