Massive Online Crowdsourced Study of Subjective and Objective Picture Quality
This work addresses the need for more realistic image quality assessment data for researchers and developers, though it is incremental as it builds on existing databases by scaling up data collection.
The authors tackled the problem of assessing image quality under real-world conditions by creating a large-scale database of authentically distorted images and conducting a massive crowdsourced study, resulting in over 350,000 opinion scores from more than 7,000 participants with excellent internal consistency.
Most publicly available image quality databases have been created under highly controlled conditions by introducing graded simulated distortions onto high-quality photographs. However, images captured using typical real-world mobile camera devices are usually afflicted by complex mixtures of multiple distortions, which are not necessarily well-modeled by the synthetic distortions found in existing databases. The originators of existing legacy databases usually conducted human psychometric studies to obtain statistically meaningful sets of human opinion scores on images in a stringently controlled visual environment, resulting in small data collections relative to other kinds of image analysis databases. Towards overcoming these limitations, we designed and created a new database that we call the LIVE In the Wild Image Quality Challenge Database, which contains widely diverse authentic image distortions on a large number of images captured using a representative variety of modern mobile devices. We also designed and implemented a new online crowdsourcing system, which we have used to conduct a very large-scale, multi-month image quality assessment subjective study. Our database consists of over 350000 opinion scores on 1162 images evaluated by over 7000 unique human observers. Despite the lack of control over the experimental environments of the numerous study participants, we demonstrate excellent internal consistency of the subjective dataset. We also evaluate several top-performing blind Image Quality Assessment algorithms on it and present insights on how mixtures of distortions challenge both end users as well as automatic perceptual quality prediction models.