ROCVDec 20, 2018

SfMLearner++: Learning Monocular Depth & Ego-Motion using Meaningful Geometric Constraints

arXiv:1812.08370v16 citations
Originality Incremental advance
AI Analysis

This work addresses the challenge of robust monocular depth and ego-motion estimation for applications like robotics and autonomous driving, though it is incremental as it builds on existing geometric and deep learning methods.

The paper tackled the problem of inaccurate depth and pose estimation in monocular visual odometry by introducing epipolar constraints into the learning process, resulting in a method that achieves comparable performance to state-of-the-art approaches with fewer parameters.

Most geometric approaches to monocular Visual Odometry (VO) provide robust pose estimates, but sparse or semi-dense depth estimates. Off late, deep methods have shown good performance in generating dense depths and VO from monocular images by optimizing the photometric consistency between images. Despite being intuitive, a naive photometric loss does not ensure proper pixel correspondences between two views, which is the key factor for accurate depth and relative pose estimations. It is a well known fact that simply minimizing such an error is prone to failures. We propose a method using Epipolar constraints to make the learning more geometrically sound. We use the Essential matrix, obtained using Nister's Five Point Algorithm, for enforcing meaningful geometric constraints on the loss, rather than using it as labels for training. Our method, although simplistic but more geometrically meaningful, using lesser number of parameters, gives a comparable performance to state-of-the-art methods which use complex losses and large networks showing the effectiveness of using epipolar constraints. Such a geometrically constrained learning method performs successfully even in cases where simply minimizing the photometric error would fail.

Foundations

The foundational work for this paper's niche, ranked by how specifically the neighbourhood builds on it — not by global fame.

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