ASCLSDMay 31, 2020

Data-driven Detection and Analysis of the Patterns of Creaky Voice

arXiv:2006.00518v169 citations
AI Analysis

This work addresses the challenge of modeling creaky voice for speech technology applications, but it is incremental as it builds on existing acoustic features and classification approaches.

The paper tackled the problem of automatically detecting and analyzing creaky voice patterns in speech, achieving an appreciable improvement in detection accuracy compared to state-of-the-art methods.

This paper investigates the temporal excitation patterns of creaky voice. Creaky voice is a voice quality frequently used as a phrase-boundary marker, but also as a means of portraying attitude, affective states and even social status. Consequently, the automatic detection and modelling of creaky voice may have implications for speech technology applications. The acoustic characteristics of creaky voice are, however, rather distinct from modal phonation. Further, several acoustic patterns can bring about the perception of creaky voice, thereby complicating the strategies used for its automatic detection, analysis and modelling. The present study is carried out using a variety of languages, speakers, and on both read and conversational data and involves a mutual information-based assessment of the various acoustic features proposed in the literature for detecting creaky voice. These features are then exploited in classification experiments where we achieve an appreciable improvement in detection accuracy compared to the state of the art. Both experiments clearly highlight the presence of several creaky patterns. A subsequent qualitative and quantitative analysis of the identified patterns is provided, which reveals a considerable speaker-dependent variability in the usage of these creaky patterns. We also investigate how creaky voice detection systems perform across creaky patterns.

Foundations

The foundational work for this paper's niche, ranked by how specifically the neighbourhood builds on it — not by global fame.

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