ASLGSDJun 10, 2020

Exploring Quality and Generalizability in Parameterized Neural Audio Effects

arXiv:2006.05584v15 citations
Originality Synthesis-oriented
AI Analysis

This work addresses the need for high-quality, parameterized audio effects in music production, though it is incremental, building on prior research.

The paper tackled the challenge of creating parameterized neural audio effects suitable for professional workflows by improving computational efficiency, signal-to-noise ratio, and generalizability to various nonlinear effects, with results showing that limiting datasets to single instruments significantly boosted model accuracy.

Deep neural networks have shown promise for music audio signal processing applications, often surpassing prior approaches, particularly as end-to-end models in the waveform domain. Yet results to date have tended to be constrained by low sample rates, noise, narrow domains of signal types, and/or lack of parameterized controls (i.e. "knobs"), making their suitability for professional audio engineering workflows still lacking. This work expands on prior research published on modeling nonlinear time-dependent signal processing effects associated with music production by means of a deep neural network, one which includes the ability to emulate the parameterized settings you would see on an analog piece of equipment, with the goal of eventually producing commercially viable, high quality audio, i.e. 44.1 kHz sampling rate at 16-bit resolution. The results in this paper highlight progress in modeling these effects through architecture and optimization changes, towards increasing computational efficiency, lowering signal-to-noise ratio, and extending to a larger variety of nonlinear audio effects. Toward these ends, the strategies employed involved a three-pronged approach: model speed, model accuracy, and model generalizability. Most of the presented methods provide marginal or no increase in output accuracy over the original model, with the exception of dataset manipulation. We found that limiting the audio content of the dataset, for example using datasets of just a single instrument, provided a significant improvement in model accuracy over models trained on more general datasets.

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