CVIVSep 8, 2020

Understanding Compositional Structures in Art Historical Images using Pose and Gaze Priors

arXiv:2009.03807v120 citationsHas Code
Originality Synthesis-oriented
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This work addresses a time-consuming analysis problem for art historians by automating compositional structure detection, though it is incremental as it applies existing machine learning techniques without training.

The paper tackles the challenge of automatically understanding compositional structures in art historical images by using pose and gaze priors to detect action regions and lines and segment foreground/background, achieving high correlation with expert and non-expert evaluations in a user study.

Image compositions as a tool for analysis of artworks is of extreme significance for art historians. These compositions are useful in analyzing the interactions in an image to study artists and their artworks. Max Imdahl in his work called Ikonik, along with other prominent art historians of the 20th century, underlined the aesthetic and semantic importance of the structural composition of an image. Understanding underlying compositional structures within images is challenging and a time consuming task. Generating these structures automatically using computer vision techniques (1) can help art historians towards their sophisticated analysis by saving lot of time; providing an overview and access to huge image repositories and (2) also provide an important step towards an understanding of man made imagery by machines. In this work, we attempt to automate this process using the existing state of the art machine learning techniques, without involving any form of training. Our approach, inspired by Max Imdahl's pioneering work, focuses on two central themes of image composition: (a) detection of action regions and action lines of the artwork; and (b) pose-based segmentation of foreground and background. Currently, our approach works for artworks comprising of protagonists (persons) in an image. In order to validate our approach qualitatively and quantitatively, we conduct a user study involving experts and non-experts. The outcome of the study highly correlates with our approach and also demonstrates its domain-agnostic capability. We have open-sourced the code at https://github.com/image-compostion-canvas-group/image-compostion-canvas.

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