New Musical Interfaces and New Music-making Paradigms
This paper is incremental, discussing personal experiences and examples in new musical interfaces without addressing a clear problem for a defined audience.
The author reflects on questions from over a decade of experience in performance, composition, interface design, and education, illustrating them with examples of his work, but does not present a specific problem or result with concrete numbers.
The conception and design of new musical interfaces is a multidisciplinary area that tightly relates technology and artistic creation. In this paper, the author first exposes some of the questions he has posed himself during more than a decade experience as a performer, composer, interface and software designer, and educator. Finally, he illustrates these topics with some examples of his work.