SEFeb 19, 2021

A Taxonomy of Assets for the Development of Software-Intensive Products and Services

arXiv:2102.09884v3
Originality Synthesis-oriented
AI Analysis

This work addresses the lack of awareness and understanding of asset types in software development, which is crucial for effective asset management and degradation control, though it is incremental as it builds on existing concepts.

The authors tackled the problem of identifying and classifying software assets in development organizations by conducting a systematic literature review and field study, resulting in the creation of a comprehensive taxonomy with 57 asset types.

Context: Developing software-intensive products or services usually involves a plethora of software artefacts. Assets are artefacts intended to be used more than once and have value for organisations; examples include test cases, code, requirements, and documentation. During the development process, assets might degrade, affecting the effectiveness and efficiency of the development process. Therefore, assets are an investment that requires continuous management. Identifying assets is the first step for their effective management. However, there is a lack of awareness of what assets and types of assets are common in software-developing organisations. Most types of assets are understudied, and their state of quality and how they degrade over time have not been well-understood. Method: We perform a systematic literature review and a field study at five companies to study and identify assets to fill the gap in research. The results were analysed qualitatively and summarised in a taxonomy. Results: We create the first comprehensive, structured, yet extendable taxonomy of assets, containing 57 types of assets. Conclusions: The taxonomy serves as a foundation for identifying assets that are relevant for an organisation and enables the study of asset management and asset degradation concepts.

Foundations

The foundational work for this paper's niche, ranked by how specifically the neighbourhood builds on it — not by global fame.

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