SDLGNEASMay 26, 2021

Receptive Field Regularization Techniques for Audio Classification and Tagging with Deep Convolutional Neural Networks

arXiv:2105.12395v153 citations
Originality Incremental advance
AI Analysis

This work addresses overfitting issues in audio classification for researchers and practitioners, offering a systematic approach to improve model generalization, though it is incremental as it builds on existing CNN architectures.

The paper tackles the problem of overfitting in deep convolutional neural networks for audio tasks by showing that tuning the receptive field is crucial for generalization, and their proposed regularization techniques achieve state-of-the-art results across multiple audio classification and tagging tasks, as evidenced by top ranks in challenges like DCASE and MediaEval.

In this paper, we study the performance of variants of well-known Convolutional Neural Network (CNN) architectures on different audio tasks. We show that tuning the Receptive Field (RF) of CNNs is crucial to their generalization. An insufficient RF limits the CNN's ability to fit the training data. In contrast, CNNs with an excessive RF tend to over-fit the training data and fail to generalize to unseen testing data. As state-of-the-art CNN architectures-in computer vision and other domains-tend to go deeper in terms of number of layers, their RF size increases and therefore they degrade in performance in several audio classification and tagging tasks. We study well-known CNN architectures and how their building blocks affect their receptive field. We propose several systematic approaches to control the RF of CNNs and systematically test the resulting architectures on different audio classification and tagging tasks and datasets. The experiments show that regularizing the RF of CNNs using our proposed approaches can drastically improve the generalization of models, out-performing complex architectures and pre-trained models on larger datasets. The proposed CNNs achieve state-of-the-art results in multiple tasks, from acoustic scene classification to emotion and theme detection in music to instrument recognition, as demonstrated by top ranks in several pertinent challenges (DCASE, MediaEval).

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