IRMMJul 25, 2021

Content-driven Music Recommendation: Evolution, State of the Art, and Challenges

arXiv:2107.11803v2107 citations
Originality Synthesis-oriented
AI Analysis

This survey synthesizes the evolution and state of the art in music recommendation, highlighting persistent challenges for researchers and practitioners in the domain.

The authors conducted a survey of 55 articles on content-driven music recommendation, proposing an onion model to categorize music content and identifying six key challenges in the field, such as increasing diversity and alleviating cold start.

The music domain is among the most important ones for adopting recommender systems technology. In contrast to most other recommendation domains, which predominantly rely on collaborative filtering (CF) techniques, music recommenders have traditionally embraced content-based (CB) approaches. In the past years, music recommendation models that leverage collaborative and content data -- which we refer to as content-driven models -- have been replacing pure CF or CB models. In this survey, we review 55 articles on content-driven music recommendation. Based on a thorough literature analysis, we first propose an onion model comprising five layers, each of which corresponds to a category of music content we identified: signal, embedded metadata, expert-generated content, user-generated content, and derivative content. We provide a detailed characterization of each category along several dimensions. Second, we identify six overarching challenges, according to which we organize our main discussion: increasing recommendation diversity and novelty, providing transparency and explanations, accomplishing context-awareness, recommending sequences of music, improving scalability and efficiency, and alleviating cold start. Each article addresses one or more of these challenges is categorized according to the content layers of our onion model, the article's goal(s), and main methodological choices. Furthermore, articles are discussed in temporal order to shed light on the evolution of content-driven music recommendation strategies. Finally, we provide our personal selection of the persisting grand challenges which are still waiting to be solved in future research endeavors.

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