An Empirical Evaluation of End-to-End Polyphonic Optical Music Recognition
This work addresses the challenge of recognizing complex polyphonic scores, such as piano and orchestral music, which is a domain-specific problem for music digitization and analysis.
The paper tackled the problem of optical music recognition for polyphonic music, which involves multiple rhythmic sequences, by introducing two novel end-to-end formulations and achieving a new state-of-the-art performance with the RNNDecoder model.
Previous work has shown that neural architectures are able to perform optical music recognition (OMR) on monophonic and homophonic music with high accuracy. However, piano and orchestral scores frequently exhibit polyphonic passages, which add a second dimension to the task. Monophonic and homophonic music can be described as homorhythmic, or having a single musical rhythm. Polyphonic music, on the other hand, can be seen as having multiple rhythmic sequences, or voices, concurrently. We first introduce a workflow for creating large-scale polyphonic datasets suitable for end-to-end recognition from sheet music publicly available on the MuseScore forum. We then propose two novel formulations for end-to-end polyphonic OMR -- one treating the problem as a type of multi-task binary classification, and the other treating it as multi-sequence detection. Building upon the encoder-decoder architecture and an image encoder proposed in past work on end-to-end OMR, we propose two novel decoder models -- FlagDecoder and RNNDecoder -- that correspond to the two formulations. Finally, we compare the empirical performance of these end-to-end approaches to polyphonic OMR and observe a new state-of-the-art performance with our multi-sequence detection decoder, RNNDecoder.