ASAIIRLGSDSPAug 8, 2021

BeatNet: CRNN and Particle Filtering for Online Joint Beat Downbeat and Meter Tracking

arXiv:2108.03576v132 citations
Originality Incremental advance
AI Analysis

This addresses the need for efficient real-time rhythmic analysis in music applications, though it is incremental as it builds on existing methods with specific improvements.

The authors tackled the problem of online joint beat, downbeat, and meter tracking in music, achieving performance that outperforms various online systems and is comparable to a baseline offline method on the GTZAN dataset.

The online estimation of rhythmic information, such as beat positions, downbeat positions, and meter, is critical for many real-time music applications. Musical rhythm comprises complex hierarchical relationships across time, rendering its analysis intrinsically challenging and at times subjective. Furthermore, systems which attempt to estimate rhythmic information in real-time must be causal and must produce estimates quickly and efficiently. In this work, we introduce an online system for joint beat, downbeat, and meter tracking, which utilizes causal convolutional and recurrent layers, followed by a pair of sequential Monte Carlo particle filters applied during inference. The proposed system does not need to be primed with a time signature in order to perform downbeat tracking, and is instead able to estimate meter and adjust the predictions over time. Additionally, we propose an information gate strategy to significantly decrease the computational cost of particle filtering during the inference step, making the system much faster than previous sampling-based methods. Experiments on the GTZAN dataset, which is unseen during training, show that the system outperforms various online beat and downbeat tracking systems and achieves comparable performance to a baseline offline joint method.

Code Implementations4 repos
Foundations

The foundational work for this paper's niche, ranked by how specifically the neighbourhood builds on it — not by global fame.

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