HCROSep 10, 2021

xBalloon: Animated Objects with Balloon Plastic Actuator

arXiv:2109.04717v1
Originality Incremental advance
AI Analysis

This work addresses the problem of inaccessible actuation devices for non-professional users in human-computer interaction and entertainment, though it is incremental as it builds on existing inflatable actuator concepts with a focus on usability.

The paper tackled the challenge of making shape-changing interfaces accessible to non-professional users by proposing xBalloon, a soft actuator made from balloons and plastics that is inexpensive, easy-to-fabricate, and effectively enables bending actuation for animating common objects.

Shape-changing interfaces are promising for users to change the physical properties of common objects. However, prevailing approaches of actuation devices require either professional equipment or materials that are not commonly accessible to non-professional users. In this work, we focus on the controllable soft actuators with inflatable structures because they are soft thus safe for human computer interaction. We propose a soft actuator design, called xBalloon, that is workable, inexpensive and easy-to-fabricate. It consists of daily materials including balloons and plastics and can realize bending actuation very effectively. For characterization, we fabricated xBalloon samples with different geometrical parameters and tested them regarding the bending performance and found the analytical model describing the relationship between the shape and the bending width. We then used xBalloons to animate a series of common objects and all can work satisfactorily. We further verified the user experience about the the fabrication and found that even those with no prior robotic knowledge can fabricate xBalloons with ease and confidence. Given all these advantages, we believe that xBalloon is an ideal platform for interaction design and entertainment applications.

Foundations

The foundational work for this paper's niche, ranked by how specifically the neighbourhood builds on it — not by global fame.

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