CVAILGMMDec 21, 2021

Decompose the Sounds and Pixels, Recompose the Events

arXiv:2112.11547v15 citations
Originality Incremental advance
AI Analysis

This work addresses event localization in audio-visual data, which is incremental as it builds on existing methods with specific enhancements for supervised and weakly supervised settings.

The paper tackles the Audio-Visual Event localization problem by proposing the EDRNet framework, which models Event Progress Checkpoints and uses novel techniques like State Machine Based Video Fusion and Land-Shore-Sea loss, resulting in outperforming state-of-the-art methods by a sizable margin on the AVE dataset.

In this paper, we propose a framework centering around a novel architecture called the Event Decomposition Recomposition Network (EDRNet) to tackle the Audio-Visual Event (AVE) localization problem in the supervised and weakly supervised settings. AVEs in the real world exhibit common unravelling patterns (termed as Event Progress Checkpoints (EPC)), which humans can perceive through the cooperation of their auditory and visual senses. Unlike earlier methods which attempt to recognize entire event sequences, the EDRNet models EPCs and inter-EPC relationships using stacked temporal convolutions. Based on the postulation that EPC representations are theoretically consistent for an event category, we introduce the State Machine Based Video Fusion, a novel augmentation technique that blends source videos using different EPC template sequences. Additionally, we design a new loss function called the Land-Shore-Sea loss to compactify continuous foreground and background representations. Lastly, to alleviate the issue of confusing events during weak supervision, we propose a prediction stabilization method called Bag to Instance Label Correction. Experiments on the AVE dataset show that our collective framework outperforms the state-of-the-art by a sizable margin.

Foundations

The foundational work for this paper's niche, ranked by how specifically the neighbourhood builds on it — not by global fame.

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