From stage to page: language independent bootstrap measures of distinctiveness in fictional speech
This provides a methodological foundation for cross-linguistic stylometric analysis of fictional speech, though it is incremental in advancing character-focused stylometry.
The paper tackled the problem of measuring stylistic distinctiveness of characters in drama across languages and times, introducing two non-parametric methods (bootstrap distances for 3-gram distributions and word keyness curves) and applying them to a corpus of 3301 characters from 2324 works in four languages, finding that smaller characters and women are more distinctive.
Stylometry is mostly applied to authorial style. Recently, researchers have begun investigating the style of characters, finding that the variation remains within authorial bounds. We address the stylistic distinctiveness of characters in drama. Our primary contribution is methodological; we introduce and evaluate two non-parametric methods to produce a summary statistic for character distinctiveness that can be usefully applied and compared across languages and times. Our first method is based on bootstrap distances between 3-gram probability distributions, the second (reminiscent of 'unmasking' techniques) on word keyness curves. Both methods are validated and explored by applying them to a reasonably large corpus (a subset of DraCor): we analyse 3301 characters drawn from 2324 works, covering five centuries and four languages (French, German, Russian, and the works of Shakespeare). Both methods appear useful; the 3-gram method is statistically more powerful but the word keyness method offers rich interpretability. Both methods are able to capture phonological differences such as accent or dialect, as well as broad differences in topic and lexical richness. Based on exploratory analysis, we find that smaller characters tend to be more distinctive, and that women are cross-linguistically more distinctive than men, with this latter finding carefully interrogated using multiple regression. This greater distinctiveness stems from a historical tendency for female characters to be restricted to an 'internal narrative domain' covering mainly direct discourse and family/romantic themes. It is hoped that direct, comparable statistical measures will form a basis for more sophisticated future studies, and advances in theory.