CLAIMay 19, 2023

CRITIC: Large Language Models Can Self-Correct with Tool-Interactive Critiquing

arXiv:2305.11738v4740 citationsHas Code
Originality Incremental advance
AI Analysis

This work addresses reliability issues in LLMs for users relying on AI-generated content, though it is incremental as it builds on existing tool-use paradigms.

The authors tackled the problem of large language models (LLMs) producing inconsistent or problematic outputs, such as hallucinations or flawed code, by introducing CRITIC, a framework that enables LLMs to self-correct using external tools for validation and revision, resulting in consistent performance enhancements across tasks like question answering and toxicity reduction.

Recent developments in large language models (LLMs) have been impressive. However, these models sometimes show inconsistencies and problematic behavior, such as hallucinating facts, generating flawed code, or creating offensive and toxic content. Unlike these models, humans typically utilize external tools to cross-check and refine their initial content, like using a search engine for fact-checking, or a code interpreter for debugging. Inspired by this observation, we introduce a framework called CRITIC that allows LLMs, which are essentially "black boxes" to validate and progressively amend their own outputs in a manner similar to human interaction with tools. More specifically, starting with an initial output, CRITIC interacts with appropriate tools to evaluate certain aspects of the text, and then revises the output based on the feedback obtained during this validation process. Comprehensive evaluations involving free-form question answering, mathematical program synthesis, and toxicity reduction demonstrate that CRITIC consistently enhances the performance of LLMs. Meanwhile, our research highlights the crucial importance of external feedback in promoting the ongoing self-improvement of LLMs.

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The foundational work for this paper's niche, ranked by how specifically the neighbourhood builds on it — not by global fame.

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