CVLGJul 25, 2023

Pretrained Deep 2.5D Models for Efficient Predictive Modeling from Retinal OCT

arXiv:2307.13865v12 citationsh-index: 128
Originality Incremental advance
AI Analysis

This work addresses computational and data efficiency issues in medical imaging for predicting age-related macular degeneration, though it appears incremental as it builds on existing 2.5D and pretraining techniques.

The paper tackled the challenge of building efficient predictive models for disease progression from retinal OCT data by proposing 2.5D architectures combining CNNs, LSTMs, and Transformers with non-contrastive pretraining, achieving improved performance and data efficiency on predicting wet AMD progression within six months on two large datasets.

In the field of medical imaging, 3D deep learning models play a crucial role in building powerful predictive models of disease progression. However, the size of these models presents significant challenges, both in terms of computational resources and data requirements. Moreover, achieving high-quality pretraining of 3D models proves to be even more challenging. To address these issues, hybrid 2.5D approaches provide an effective solution for utilizing 3D volumetric data efficiently using 2D models. Combining 2D and 3D techniques offers a promising avenue for optimizing performance while minimizing memory requirements. In this paper, we explore 2.5D architectures based on a combination of convolutional neural networks (CNNs), long short-term memory (LSTM), and Transformers. In addition, leveraging the benefits of recent non-contrastive pretraining approaches in 2D, we enhanced the performance and data efficiency of 2.5D techniques even further. We demonstrate the effectiveness of architectures and associated pretraining on a task of predicting progression to wet age-related macular degeneration (AMD) within a six-month period on two large longitudinal OCT datasets.

Foundations

The foundational work for this paper's niche, ranked by how specifically the neighbourhood builds on it — not by global fame.

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