LGDMNEMLFeb 12, 2024

Weisfeiler-Leman at the margin: When more expressivity matters

arXiv:2402.07568v216 citationsh-index: 18ICML
AI Analysis

This addresses a foundational problem in machine learning for researchers and practitioners using graph neural networks, providing theoretical insights into when enhanced expressivity matters, though it is incremental in building on existing work.

The paper tackles the unclear relationship between expressivity and generalization in graph neural networks, showing that expressivity offers limited insights and that increased expressivity aligns with improved generalization only under specific conditions, with empirical confirmation.

The Weisfeiler-Leman algorithm ($1$-WL) is a well-studied heuristic for the graph isomorphism problem. Recently, the algorithm has played a prominent role in understanding the expressive power of message-passing graph neural networks (MPNNs) and being effective as a graph kernel. Despite its success, $1$-WL faces challenges in distinguishing non-isomorphic graphs, leading to the development of more expressive MPNN and kernel architectures. However, the relationship between enhanced expressivity and improved generalization performance remains unclear. Here, we show that an architecture's expressivity offers limited insights into its generalization performance when viewed through graph isomorphism. Moreover, we focus on augmenting $1$-WL and MPNNs with subgraph information and employ classical margin theory to investigate the conditions under which an architecture's increased expressivity aligns with improved generalization performance. In addition, we show that gradient flow pushes the MPNN's weights toward the maximum margin solution. Further, we introduce variations of expressive $1$-WL-based kernel and MPNN architectures with provable generalization properties. Our empirical study confirms the validity of our theoretical findings.

Foundations

The foundational work for this paper's niche, ranked by how specifically the neighbourhood builds on it — not by global fame.

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