CVMar 27, 2024

Learning Inclusion Matching for Animation Paint Bucket Colorization

arXiv:2403.18342v124 citationsh-index: 31CVPR
Originality Incremental advance
AI Analysis

This work addresses the arduous and time-intensive manual colorization process in animation production, representing an incremental improvement over existing automated methods.

The paper tackles the problem of automating colorization in hand-drawn cel animation by addressing occlusion and wrinkle issues that disrupt traditional segment matching methods, introducing a learning-based inclusion matching pipeline that achieves more accurate colorization as demonstrated through extensive experiments.

Colorizing line art is a pivotal task in the production of hand-drawn cel animation. This typically involves digital painters using a paint bucket tool to manually color each segment enclosed by lines, based on RGB values predetermined by a color designer. This frame-by-frame process is both arduous and time-intensive. Current automated methods mainly focus on segment matching. This technique migrates colors from a reference to the target frame by aligning features within line-enclosed segments across frames. However, issues like occlusion and wrinkles in animations often disrupt these direct correspondences, leading to mismatches. In this work, we introduce a new learning-based inclusion matching pipeline, which directs the network to comprehend the inclusion relationships between segments rather than relying solely on direct visual correspondences. Our method features a two-stage pipeline that integrates a coarse color warping module with an inclusion matching module, enabling more nuanced and accurate colorization. To facilitate the training of our network, we also develope a unique dataset, referred to as PaintBucket-Character. This dataset includes rendered line arts alongside their colorized counterparts, featuring various 3D characters. Extensive experiments demonstrate the effectiveness and superiority of our method over existing techniques.

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