CVApr 2, 2024

GS2Mesh: Surface Reconstruction from Gaussian Splatting via Novel Stereo Views

arXiv:2404.01810v274 citationsh-index: 5ECCV
Originality Incremental advance
AI Analysis

This addresses the challenge of noisy surface reconstruction from 3DGS for applications in computer vision and graphics, though it is incremental as it builds on existing 3DGS and stereo-matching methods.

The paper tackles the problem of extracting smooth and accurate 3D meshes from 3D Gaussian Splatting representations by using a pre-trained stereo-matching model to generate depth profiles from rendered stereo views, achieving state-of-the-art results on benchmarks like Tanks and Temples and DTU.

Recently, 3D Gaussian Splatting (3DGS) has emerged as an efficient approach for accurately representing scenes. However, despite its superior novel view synthesis capabilities, extracting the geometry of the scene directly from the Gaussian properties remains a challenge, as those are optimized based on a photometric loss. While some concurrent models have tried adding geometric constraints during the Gaussian optimization process, they still produce noisy, unrealistic surfaces. We propose a novel approach for bridging the gap between the noisy 3DGS representation and the smooth 3D mesh representation, by injecting real-world knowledge into the depth extraction process. Instead of extracting the geometry of the scene directly from the Gaussian properties, we instead extract the geometry through a pre-trained stereo-matching model. We render stereo-aligned pairs of images corresponding to the original training poses, feed the pairs into a stereo model to get a depth profile, and finally fuse all of the profiles together to get a single mesh. The resulting reconstruction is smoother, more accurate and shows more intricate details compared to other methods for surface reconstruction from Gaussian Splatting, while only requiring a small overhead on top of the fairly short 3DGS optimization process. We performed extensive testing of the proposed method on in-the-wild scenes, obtained using a smartphone, showcasing its superior reconstruction abilities. Additionally, we tested the method on the Tanks and Temples and DTU benchmarks, achieving state-of-the-art results.

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