A discussion about violin reduction: geometric analysis of contour lines and channel of minima
This work provides incremental insights for instrument makers and historians by enhancing geometric analysis methods for violin morphology.
The study analyzed geometric differences in contour lines and channel of minima between reduced and unreduced violins, violas, and cellos using 3D meshes from a corpus of 38 instruments, with improved alignment and computation procedures.
Some early violins have been reduced during their history to fit imposed morphological standards, while more recent ones have been built directly to these standards. We can observe differences between reduced and unreduced instruments, particularly in their contour lines and channel of minima. In a recent preliminary work, we computed and highlighted those two features for two instruments using triangular 3D meshes acquired by photogrammetry, whose fidelity has been assessed and validated with sub-millimetre accuracy. We propose here an extension to a corpus of 38 violins, violas and cellos, and introduce improved procedures, leading to a stronger discussion of the geometric analysis. We first recall the material we are working with. We then discuss how to derive the best reference plane for the violin alignment, which is crucial for the computation of contour lines and channel of minima. Finally, we show how to compute efficiently both characteristics and we illustrate our results with a few examples.