CVDec 2, 2024

A2VIS: Amodal-Aware Approach to Video Instance Segmentation

arXiv:2412.01147v21 citationsh-index: 5Image and Vision Computing
Originality Incremental advance
AI Analysis

This addresses occlusion issues in video analysis for applications like surveillance and autonomous driving, representing an incremental advance by integrating amodal awareness into existing methods.

The paper tackles the challenge of occlusion in video instance segmentation and multiple object tracking by proposing A2VIS, a framework that uses amodal representations to understand both visible and occluded parts of objects, achieving improved performance in these tasks.

Handling occlusion remains a significant challenge for video instance-level tasks like Multiple Object Tracking (MOT) and Video Instance Segmentation (VIS). In this paper, we propose a novel framework, Amodal-Aware Video Instance Segmentation (A2VIS), which incorporates amodal representations to achieve a reliable and comprehensive understanding of both visible and occluded parts of objects in a video. The key intuition is that awareness of amodal segmentation through spatiotemporal dimension enables a stable stream of object information. In scenarios where objects are partially or completely hidden from view, amodal segmentation offers more consistency and less dramatic changes along the temporal axis compared to visible segmentation. Hence, both amodal and visible information from all clips can be integrated into one global instance prototype. To effectively address the challenge of video amodal segmentation, we introduce the spatiotemporal-prior Amodal Mask Head, which leverages visible information intra clips while extracting amodal characteristics inter clips. Through extensive experiments and ablation studies, we show that A2VIS excels in both MOT and VIS tasks in identifying and tracking object instances with a keen understanding of their full shape.

Foundations

The foundational work for this paper's niche, ranked by how specifically the neighbourhood builds on it — not by global fame.

Your Notes