Steganography Beyond Space-Time with Chain of Multimodal AI
It addresses cybersecurity threats from AI-generated synthetic content by providing a more secure steganography method for audiovisual media, though it appears incremental as it builds on existing steganography and AI techniques.
This paper tackles the problem of steganography in audiovisual media being vulnerable to synthetic content manipulation by proposing a new paradigm that conceals messages beyond spatial and temporal domains using a chain of multimodal AI, achieving high accuracy in message transmission and robustness against various attacks like face-swapping and voice-cloning.
Steganography is the art and science of covert writing, with a broad range of applications interwoven within the realm of cybersecurity. As artificial intelligence continues to evolve, its ability to synthesise realistic content emerges as a threat in the hands of cybercriminals who seek to manipulate and misrepresent the truth. Such synthetic content introduces a non-trivial risk of overwriting the subtle changes made for the purpose of steganography. When the signals in both the spatial and temporal domains are vulnerable to unforeseen overwriting, it calls for reflection on what, if any, remains invariant. This study proposes a paradigm in steganography for audiovisual media, where messages are concealed beyond both spatial and temporal domains. A chain of multimodal artificial intelligence is developed to deconstruct audiovisual content into a cover text, embed a message within the linguistic domain, and then reconstruct the audiovisual content through synchronising both auditory and visual modalities with the resultant stego text. The message is encoded by biasing the word sampling process of a language generation model and decoded by analysing the probability distribution of word choices. The accuracy of message transmission is evaluated under both zero-bit and multi-bit capacity settings. Fidelity is assessed through both biometric and semantic similarities, capturing the identities of the recorded face and voice, as well as the core ideas conveyed through the media. Secrecy is examined through statistical comparisons between cover and stego texts. Robustness is tested across various scenarios, including audiovisual resampling, face-swapping, voice-cloning and their combinations.