CVMar 30, 2025

CA^2ST: Cross-Attention in Audio, Space, and Time for Holistic Video Recognition

arXiv:2503.23447v21 citationsh-index: 1IEEE Trans Pattern Anal Mach Intell
Originality Incremental advance
AI Analysis

This addresses the need for balanced spatio-temporal and audio-visual understanding in video action recognition, though it appears incremental as it builds on existing transformer and cross-attention techniques.

The paper tackles the problem of holistic video recognition by proposing CA^2ST, a transformer-based method that integrates spatial, temporal, and audio experts through cross-attention, achieving balanced performance across multiple benchmarks like EPIC-KITCHENS-100 and Kinetics-400.

We propose Cross-Attention in Audio, Space, and Time (CA^2ST), a transformer-based method for holistic video recognition. Recognizing actions in videos requires both spatial and temporal understanding, yet most existing models lack a balanced spatio-temporal understanding of videos. To address this, we propose a novel two-stream architecture, called Cross-Attention in Space and Time (CAST), using only RGB input. In each layer of CAST, Bottleneck Cross-Attention (B-CA) enables spatial and temporal experts to exchange information and make synergistic predictions. For holistic video understanding, we extend CAST by integrating an audio expert, forming Cross-Attention in Visual and Audio (CAVA). We validate the CAST on benchmarks with different characteristics, EPIC-KITCHENS-100, Something-Something-V2, and Kinetics-400, consistently showing balanced performance. We also validate the CAVA on audio-visual action recognition benchmarks, including UCF-101, VGG-Sound, KineticsSound, and EPIC-SOUNDS. With a favorable performance of CAVA across these datasets, we demonstrate the effective information exchange among multiple experts within the B-CA module. In summary, CA^2ST combines CAST and CAVA by employing spatial, temporal, and audio experts through cross-attention, achieving balanced and holistic video understanding.

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