The Persistence of Cultural Memory: Investigating Multimodal Iconicity in Diffusion Models

Our work addresses the ambiguity between generalization and memorization in text-to-image diffusion models, focusing on a specific case we term multimodal iconicity. This refers to instances where images and texts evoke culturally shared associations, such as when a title recalls a familiar artwork or film scene. While prior research on memorization and unlearning emphasizes forgetting, we examine what is remembered and how, focusing on the balance between recognizing cultural references and reproducing them. We introduce an evaluation framework that separates recognition, whether a model identifies a reference, from realization, how it depicts it through replication or reinterpretation, quantified through measures capturing both dimensions. By evaluating five diffusion models across 767 Wikidata-derived cultural references spanning static and dynamic imagery, we show that our framework distinguishes replication from transformation more effectively than existing similarity-based methods. To assess linguistic sensitivity, we conduct prompt perturbation experiments using synonym substitutions and literal image descriptions, finding that models often reproduce iconic visual structures even when textual cues are altered. Finally, our analysis shows that cultural alignment correlates not only with training data frequency, but also textual uniqueness, reference popularity, and creation date. Our work reveals that the value of diffusion models lies not only in what they reproduce but in how they transform and recontextualize cultural knowledge, advancing evaluation beyond simple text-image matching toward richer contextual understanding.