CVDec 16, 2025

Selective, Controlled and Domain-Agnostic Unlearning in Pretrained CLIP: A Training- and Data-Free Approach

arXiv:2512.14113v1h-index: 4
Originality Incremental advance
AI Analysis

This addresses the need for controlled model forgetting in real-world applications, offering a flexible and efficient solution for tasks like privacy or bias removal, though it is incremental as it builds on existing unlearning concepts.

The paper tackles the problem of removing specific object classes from pretrained CLIP models without needing additional data or retraining, proposing a training- and data-free framework that enables global, domain-specific, and selective domain unlearning while preserving unrelated knowledge.

Pretrained models like CLIP have demonstrated impressive zero-shot classification capabilities across diverse visual domains, spanning natural images, artistic renderings, and abstract representations. However, real-world applications often demand the removal (or "unlearning") of specific object classes without requiring additional data or retraining, or affecting the model's performance on unrelated tasks. In this paper, we propose a novel training- and data-free unlearning framework that enables three distinct forgetting paradigms: (1) global unlearning of selected objects across all domains, (2) domain-specific knowledge removal (e.g., eliminating sketch representations while preserving photo recognition), and (3) complete unlearning in selective domains. By leveraging a multimodal nullspace through synergistic integration of text prompts and synthesized visual prototypes derived from CLIP's joint embedding space, our method efficiently removes undesired class information while preserving the remaining knowledge. This approach overcomes the limitations of existing retraining-based methods and offers a flexible and computationally efficient solution for controlled model forgetting.

Foundations

The foundational work for this paper's niche, ranked by how specifically the neighbourhood builds on it — not by global fame.

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