CLAICYJun 22

AI Fiction in the Wild

arXiv:2606.227488.5
Predicted impact top 61% in CL · last 90 daysOriginality Synthesis-oriented
AI Analysis

For researchers and practitioners in AI and media studies, this work provides empirical evidence of how LLMs are being used for fiction generation, but the findings are largely descriptive and incremental.

The paper analyzes over 500,000 ChatGPT conversations and finds that more than one third involve fiction generation, including original stories, roleplay, fanfiction, and erotica, dominated by power users. It proposes the concept of a 'solipsistic reader-writer' who generates and consumes fiction in a closed loop with AI.

Some professional authors are beginning to use AI tools to help produce their fiction writing. Are readers using AI to generate fiction, too? This paper examines how large language models are reshaping the production and consumption of fiction by enabling new forms of participation in narrative generation. Drawing on over 500,000 anonymized, English-language ChatGPT-user conversations (arXiv:2405.01470), we find that more than one third of the conversations involve some form of fiction generation -- including original stories, roleplay, fanfiction, and erotica. This AI-generated fiction is notably dominated by power users. We identify common fiction generation patterns and profiles among these users, including what we call "infinite story demanders," who repeatedly request and revise variations of the same or similar narratives over extended periods of time. We show that users especially gravitate toward fanfiction and erotica, and that they are broadly drawn to generic forms, repetition, immediacy, and niche combinations of story elements. Our findings motivate two theoretical provocations. First, we argue that AI technologies may lead to a shift in the conventional relationship between the author and reader, potentially producing what we call a "solipsistic reader-writer," who both generates and consumes fiction within a closed conversational loop, interacting with a machine rather than a human other. Second, we note that LLMs enable interactivity, play, and permutation in ways that are seemingly pleasurable for users, raising questions about where AI will fit into contemporary storytelling and entertainment ecosystems. We situate these developments within broader transformations in literature and media, including self-publishing, fanfiction, and pornography, and suggest that AI-generated fiction shares structural affinities with on-demand, personalized, and repetitive cultural forms.

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