Aven-Le Zhou

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2papers

2 Papers

AIFeb 9, 2024
Human Aesthetic Preference-Based Large Text-to-Image Model Personalization: Kandinsky Generation as an Example

Aven-Le Zhou, Yu-Ao Wang, Wei Wu et al.

With the advancement of neural generative capabilities, the art community has actively embraced GenAI (generative artificial intelligence) for creating painterly content. Large text-to-image models can quickly generate aesthetically pleasing outcomes. However, the process can be non-deterministic and often involves tedious trial-and-error, as users struggle with formulating effective prompts to achieve their desired results. This paper introduces a prompting-free generative approach that empowers users to automatically generate personalized painterly content that incorporates their aesthetic preferences in a customized artistic style. This approach involves utilizing ``semantic injection'' to customize an artist model in a specific artistic style, and further leveraging a genetic algorithm to optimize the prompt generation process through real-time iterative human feedback. By solely relying on the user's aesthetic evaluation and preference for the artist model-generated images, this approach creates the user a personalized model that encompasses their aesthetic preferences and the customized artistic style.

HCAug 13, 2025
Negative Shanshui: Real-time Interactive Ink Painting Synthesis

Aven-Le Zhou

This paper presents Negative Shanshui, a real-time interactive AI synthesis approach that reinterprets classical Chinese landscape ink painting, i.e., shanshui, to engage with ecological crises in the Anthropocene. Negative Shanshui optimizes a fine-tuned Stable Diffusion model for real-time inferences and integrates it with gaze-driven inpainting, frame interpolation; it enables dynamic morphing animations in response to the viewer's gaze and presents as an interactive virtual reality (VR) experience. The paper describes the complete technical pipeline, covering the system framework, optimization strategies, gaze-based interaction, and multimodal deployment in an art festival. Further analysis of audience feedback collected during its public exhibition highlights how participants variously engaged with the work through empathy, ambivalence, and critical reflection.