Tomasz Sroka

Tomasz Sroka, Tomasz Wężowicz, Dominik Sidorczuk et al.

With the rapid advancement of generative audio models, distinguishing between human-composed and generated music is becoming increasingly challenging. As a response, models for detecting fake music have been proposed. In this work, we explore the robustness of such systems under audio augmentations. To evaluate model generalization, we constructed a dataset consisting of both real and synthetic music generated using several systems. We then apply a range of audio transformations and analyze how they affect classification accuracy. We test the performance of a recent state-of-the-art musical deepfake detection model in the presence of audio augmentations. The performance of the model decreases significantly even with the introduction of light augmentations.

Aleksandra Piekarzewicz, Tomasz Sroka, Aleksander Tym et al.

In this paper, we introduce CloserMusicDB, a collection of full length studio quality tracks annotated by a team of human experts. We describe the selected qualities of our dataset, along with three example tasks possible to perform using this dataset: hook detection, contextual tagging and artist identification. We conduct baseline experiments and provide initial benchmarks for these tasks.