Johan Wagemans

Christoph Redies, Ralf Bartho, Lisa Koßmann et al.

Over the past two decades, researchers in the field of visual aesthetics have studied numerous quantitative (objective) image properties and how they relate to visual aesthetic appreciation. However, results are difficult to compare between research groups. One reason is that researchers use different sets of image properties in their studies. But even if the same properties are used, the image pre-processing techniques may differ and often researchers use their own customized scripts to calculate the image properties. To provide greater accessibility and comparability of research results in visual experimental aesthetics, we developed an open-access and easy-to-use toolbox (called the 'Aesthetics Toolbox'). The Toolbox allows users to calculate a well-defined set of quantitative image properties popular in contemporary research. The properties include lightness and color statistics, Fourier spectral properties, fractality, self-similarity, symmetry, as well as different entropy measures and CNN-based variances. Compatible with most devices, the Toolbox provides an intuitive click-and-drop web interface. In the Toolbox, we integrated the original scripts of four different research groups and translated them into Python 3. To ensure that results were consistent across analyses, we took care that results from the Python versions of the scripts were the same as those from the original scripts. The toolbox, detailed documentation, and a link to the cloud version are available via Github: https://github.com/RBartho/Aesthetics-Toolbox. In summary, we developed a toolbox that helps to standardize and simplify the calculation of quantitative image properties for visual aesthetics research.

Anne-Sofie Maerten, Juliane Verwiebe, Shyamgopal Karthik et al.

Modern text-to-image (T2I) models generate high-fidelity visuals but remain indifferent to individual user preferences. While existing reward models optimize for "average" human appeal, they fail to capture the inherent subjectivity of aesthetic judgment. In this work, we introduce a novel dataset and predictive framework, called PAMELA, designed to model personalized image evaluations. Our dataset comprises 70,000 ratings across 5,000 diverse images generated by state-of-the-art models (Flux 2 and Nano Banana). Each image is evaluated by 15 unique users, providing a rich distribution of subjective preferences across domains such as art, design, fashion, and cinematic photography. Leveraging this data, we propose a personalized reward model trained jointly on our high-quality annotations and existing aesthetic assessment subsets. We demonstrate that our model predicts individual liking with higher accuracy than the majority of current state-of-the-art methods predict population-level preferences. Using our personalized predictor, we demonstrate how simple prompt optimization methods can be used to steer generations towards individual user preferences. Our results highlight the importance of data quality and personalization to handle the subjectivity of user preferences. We release our dataset and model to facilitate standardized research in personalized T2I alignment and subjective visual quality assessment.

Derya Soydaner, Johan Wagemans

The allure of aesthetic appeal in images captivates our senses, yet the underlying intricacies of aesthetic preferences remain elusive. In this study, we pioneer a novel perspective by utilizing several different machine learning (ML) models that focus on aesthetic attributes known to influence preferences. Our models process these attributes as inputs to predict the aesthetic scores of images. Moreover, to delve deeper and obtain interpretable explanations regarding the factors driving aesthetic preferences, we utilize the popular Explainable AI (XAI) technique known as SHapley Additive exPlanations (SHAP). Our methodology compares the performance of various ML models, including Random Forest, XGBoost, Support Vector Regression, and Multilayer Perceptron, in accurately predicting aesthetic scores, and consistently observing results in conjunction with SHAP. We conduct experiments on three image aesthetic benchmarks, namely Aesthetics with Attributes Database (AADB), Explainable Visual Aesthetics (EVA), and Personalized image Aesthetics database with Rich Attributes (PARA), providing insights into the roles of attributes and their interactions. Finally, our study presents ML models for aesthetics research, alongside the introduction of XAI. Our aim is to shed light on the complex nature of aesthetic preferences in images through ML and to provide a deeper understanding of the attributes that influence aesthetic judgements.

Ombretta Strafforello, Gonzalo Muradas Odriozola, Fatemeh Behrad et al.

Assessing the aesthetic quality of artistic images presents unique challenges due to the subjective nature of aesthetics and the complex visual characteristics inherent to artworks. Basic data augmentation techniques commonly applied to natural images in computer vision may not be suitable for art images in aesthetic evaluation tasks, as they can change the composition of the art images. In this paper, we explore the impact of local and global data augmentation techniques on artistic image aesthetic assessment (IAA). We introduce BackFlip, a local data augmentation technique designed specifically for artistic IAA. We evaluate the performance of BackFlip across three artistic image datasets and four neural network architectures, comparing it with the commonly used data augmentation techniques. Then, we analyze the effects of components within the BackFlip pipeline through an ablation study. Our findings demonstrate that local augmentations, such as BackFlip, tend to outperform global augmentations on artistic IAA in most cases, probably because they do not perturb the composition of the art images. These results emphasize the importance of considering both local and global augmentations in future computational aesthetics research.

Anne-Sofie Maerten, Li-Wei Chen, Stefanie De Winter et al.

We present the Leuven Art Personalized Image Set (LAPIS), a novel dataset for personalized image aesthetic assessment (PIAA). It is the first dataset with images of artworks that is suitable for PIAA. LAPIS consists of 11,723 images and was meticulously curated in collaboration with art historians. Each image has an aesthetics score and a set of image attributes known to relate to aesthetic appreciation. Besides rich image attributes, LAPIS offers rich personal attributes of each annotator. We implemented two existing state-of-the-art PIAA models and assessed their performance on LAPIS. We assess the contribution of personal attributes and image attributes through ablation studies and find that performance deteriorates when certain personal and image attributes are removed. An analysis of failure cases reveals that both existing models make similar incorrect predictions, highlighting the need for improvements in artistic image aesthetic assessment. The LAPIS project page can be found at: https://github.com/Anne-SofieMaerten/LAPIS

Yuyan Zhang, Derya Soydaner, Lisa Koßmann et al.

The human brain has an inherent ability to fill in gaps to perceive figures as complete wholes, even when parts are missing or fragmented. This phenomenon is known as Closure in psychology, one of the Gestalt laws of perceptual organization, explaining how the human brain interprets visual stimuli. Given the importance of Closure for human object recognition, we investigate whether neural networks rely on a similar mechanism. Exploring this crucial human visual skill in neural networks has the potential to highlight their comparability to humans. Recent studies have examined the Closure effect in neural networks. However, they typically focus on a limited selection of Convolutional Neural Networks (CNNs) and have not reached a consensus on their capability to perform Closure. To address these gaps, we present a systematic framework for investigating the Closure principle in neural networks. We introduce well-curated datasets designed to test for Closure effects, including both modal and amodal completion. We then conduct experiments on various CNNs employing different measurements. Our comprehensive analysis reveals that VGG16 and DenseNet-121 exhibit the Closure effect, while other CNNs show variable results. We interpret these findings by blending insights from psychology and neural network research, offering a unique perspective that enhances transparency in understanding neural networks. Our code and dataset will be made available on GitHub.

Xiao-Chang Liu, Johan Wagemans

Image aesthetic assessment (IAA) aims to predict the aesthetic quality of images as perceived by humans. While recent IAA models achieve strong predictive performance, they offer little insight into the factors driving their predictions. Yet for users, understanding why an image is considered pleasing or not is as valuable as the score itself, motivating growing interest in interpretability within IAA. When humans evaluate aesthetics, they naturally rely on high-level cues to justify their judgments. Motivated by this observation, we propose an interpretable IAA framework grounded in human-understandable aesthetic concepts. We learn these concepts in an accessible manner, constructing a subspace that forms the foundation of an inherently interpretable model. To capture nuanced influences on aesthetic perception beyond explicit concepts, we introduce a simple yet effective residual predictor. Experiments on photographic and artistic datasets demonstrate that our method achieves competitive predictive performance while offering transparent, human-understandable aesthetic judgments.

Fatemeh Behrad, Tinne Tuytelaars, Johan Wagemans

The capacity of Vision transformers (ViTs) to handle variable-sized inputs is often constrained by computational complexity and batch processing limitations. Consequently, ViTs are typically trained on small, fixed-size images obtained through downscaling or cropping. While reducing computational burden, these methods result in significant information loss, negatively affecting tasks like image aesthetic assessment. We introduce Charm, a novel tokenization approach that preserves Composition, High-resolution, Aspect Ratio, and Multi-scale information simultaneously. Charm prioritizes high-resolution details in specific regions while downscaling others, enabling shorter fixed-size input sequences for ViTs while incorporating essential information. Charm is designed to be compatible with pre-trained ViTs and their learned positional embeddings. By providing multiscale input and introducing variety to input tokens, Charm improves ViT performance and generalizability for image aesthetic assessment. We avoid cropping or changing the aspect ratio to further preserve information. Extensive experiments demonstrate significant performance improvements on various image aesthetic and quality assessment datasets (up to 8.1 %) using a lightweight ViT backbone. Code and pre-trained models are available at https://github.com/FBehrad/Charm.

Li-Wei Chen, Ombretta Strafforello, Anne-Sofie Maerten et al.

Image aesthetic assessment (IAA) evaluates image aesthetics, a task complicated by image diversity and user subjectivity. Current approaches address this in two stages: Generic IAA (GIAA) models estimate mean aesthetic scores, while Personal IAA (PIAA) models adapt GIAA using transfer learning to incorporate user subjectivity. However, a theoretical understanding of transfer learning between GIAA and PIAA, particularly concerning the impact of group composition, group size, aesthetic differences between groups and individuals, and demographic correlations, is lacking. This work establishes a theoretical foundation for IAA, proposing a unified model that encodes individual characteristics in a distributional format for both individual and group assessments. We show that transferring from GIAA to PIAA involves extrapolation, while the reverse involves interpolation, which is generally more effective for machine learning. Extensive experiments with varying group compositions, including sub-sampling by group size and disjoint demographics, reveal substantial performance variation even for GIAA, challenging the assumption that averaging scores eliminates individual subjectivity. Score-distribution analysis using Earth Mover's Distance (EMD) and the Gini index identifies education, photography experience, and art experience as key factors in aesthetic differences, with greater subjectivity in artworks than in photographs. Code is available at https://github.com/lwchen6309/aesthetics_transfer_learning.

Yuyan Zhang, Derya Soydaner, Fatemeh Behrad et al.

Deep neural networks perform well in object recognition, but do they perceive objects like humans? This study investigates the Gestalt principle of closure in convolutional neural networks. We propose a protocol to identify closure and conduct experiments using simple visual stimuli with progressively removed edge sections. We evaluate well-known networks on their ability to classify incomplete polygons. Our findings reveal a performance degradation as the edge removal percentage increases, indicating that current models heavily rely on complete edge information for accurate classification. The data used in our study is available on Github.

Derya Soydaner, Johan Wagemans

As people's aesthetic preferences for images are far from understood, image aesthetic assessment is a challenging artificial intelligence task. The range of factors underlying this task is almost unlimited, but we know that some aesthetic attributes affect those preferences. In this study, we present a multi-task convolutional neural network that takes into account these attributes. The proposed neural network jointly learns the attributes along with the overall aesthetic scores of images. This multi-task learning framework allows for effective generalization through the utilization of shared representations. Our experiments demonstrate that the proposed method outperforms the state-of-the-art approaches in predicting overall aesthetic scores for images in one benchmark of image aesthetics. We achieve near-human performance in terms of overall aesthetic scores when considering the Spearman's rank correlations. Moreover, our model pioneers the application of multi-tasking in another benchmark, serving as a new baseline for future research. Notably, our approach achieves this performance while using fewer parameters compared to existing multi-task neural networks in the literature, and consequently makes our method more efficient in terms of computational complexity.