Daichi Haraguchi

Wataru Shimoda, Daichi Haraguchi, Seiichi Uchida et al.

In this work, we consider the typography generation task that aims at producing diverse typographic styling for the given graphic document. We formulate typography generation as a fine-grained attribute generation for multiple text elements and build an autoregressive model to generate diverse typography that matches the input design context. We further propose a simple yet effective sampling approach that respects the consistency and distinction principle of typography so that generated examples share consistent typographic styling across text elements. Our empirical study shows that our model successfully generates diverse typographic designs while preserving a consistent typographic structure.

Yusuke Nagata, Jinki Otao, Daichi Haraguchi et al.

We propose TrueType Transformer (T3), which can perform character and font style recognition in an outline format. The outline format, such as TrueType, represents each character as a sequence of control points of stroke contours and is frequently used in born-digital documents. T3 is organized by a deep neural network, so-called Transformer. Transformer is originally proposed for sequential data, such as text, and therefore appropriate for handling the outline data. In other words, T3 directly accepts the outline data without converting it into a bitmap image. Consequently, T3 realizes a resolution-independent classification. Moreover, since the locations of the control points represent the fine and local structures of the font style, T3 is suitable for font style classification, where such structures are very important. In this paper, we experimentally show the applicability of T3 in character and font style recognition tasks, while observing how the individual control points contribute to classification results.

Naoya Yasukochi, Hideaki Hayashi, Daichi Haraguchi et al.

There are various font styles in the world. Different styles give different impressions and readability. This paper analyzes the relationship between font styles and contextual factors that might affect font style selection with large-scale datasets. For example, we will analyze the relationship between font style and its surrounding object (such as ``bus'') by using about 800,000 words in the Open Images dataset. We also use a book cover dataset to analyze the relationship between font styles with book genres. Moreover, the meaning of the word is assumed as another contextual factor. For these numeric analyses, we utilize our own font-style feature extraction model and word2vec. As a result of co-occurrence-based relationship analysis, we found several instances of specific font styles being used for specific contextual factors.

Daichi Haraguchi, Seiichi Uchida

When we compare fonts, we often pay attention to styles of local parts, such as serifs and curvatures. This paper proposes an attention mechanism to find important local parts. The local parts with larger attention are then considered important. The proposed mechanism can be trained in a quasi-self-supervised manner that requires no manual annotation other than knowing that a set of character images is from the same font, such as Helvetica. After confirming that the trained attention mechanism can find style-relevant local parts, we utilize the resulting attention for local style-aware font generation. Specifically, we design a new reconstruction loss function to put more weight on the local parts with larger attention for generating character images with more accurate style realization. This loss function has the merit of applicability to various font generation models. Our experimental results show that the proposed loss function improves the quality of generated character images by several few-shot font generation models.

Takahiro Shirakawa, Tomoyuki Suzuki, Takuto Narumoto et al.

We introduce MG-Gen, a framework that generates motion graphics directly from a single raster image. MG-Gen decompose a single raster image into layered structures represented as HTML, generate animation scripts for each layer, and then render them into a video. Experiments confirm MG-Gen generates dynamic motion graphics while preserving text readability and fidelity to the input conditions, whereas state-of-the-art image-to-video generation methods struggle with them. The code is available at https://github.com/CyberAgentAILab/MG-GEN.

Daichi Haraguchi, Wataru Shimoda, Kota Yamaguchi et al.

In this paper, we demonstrate a total disentanglement of font images. Total disentanglement is a neural network-based method for decomposing each font image nonlinearly and completely into its style and content (i.e., character class) features. It uses a simple but careful training procedure to extract the common style feature from all `A'-`Z' images in the same font and the common content feature from all `A' (or another class) images in different fonts. These disentangled features guarantee the reconstruction of the original font image. Various experiments have been conducted to understand the performance of total disentanglement. First, it is demonstrated that total disentanglement is achievable with very high accuracy; this is experimental proof of the long-standing open question, ``Does `A'-ness exist?'' Hofstadter (1985). Second, it is demonstrated that the disentangled features produced by total disentanglement apply to a variety of tasks, including font recognition, character recognition, and one-shot font image generation. Code is available here: https://github.com/uchidalab/total_disentanglement

Masafumi Oyamada, Kunihiro Takeoka, Kosuke Akimoto et al.

What if a browser agent could learn your work simply by watching you do it? We present cotomi Act, a browser-based computer-using agent that combines reliable multi-step task execution with persistent organizational knowledge learned from user behavior. For execution, an agent scaffold with adaptive lazy observation, verbal-diff-based history compression, coarse-grained actions, and test-time scaling via best-of-N action selection achieves 80.4% on the 179-task WebArena human-evaluation subset, exceeding the reported 78.2% human baseline. For organizational knowledge, a behavior-to-knowledge pipeline passively observes the user's browsing and progressively abstracts it into artifacts (task boards, wiki) exposed through a shared workspace editable by both user and agent. A controlled proxy evaluation confirms that task success improves as behavior-derived knowledge accumulates. In our live demonstration, attendees interact with the system in a real browser, issuing tasks and observing end-to-end autonomous execution and shared knowledge management.

Tetta Kondo, Shumpei Takezaki, Daichi Haraguchi et al.

Fonts have huge variations in their styles and give readers different impressions. Therefore, generating new fonts is worthy of giving new impressions to readers. In this paper, we employ diffusion models to generate new font styles by interpolating a pair of reference fonts with different styles. More specifically, we propose three different interpolation approaches, image-blending, condition-blending, and noise-blending, with the diffusion models. We perform qualitative and quantitative experimental analyses to understand the style generation ability of the three approaches. According to experimental results, three proposed approaches can generate not only expected font styles but also somewhat serendipitous font styles. We also compare the approaches with a state-of-the-art style-conditional Latin-font generative network model to confirm the validity of using the diffusion models for the style interpolation task.

Daichi Haraguchi, Naoto Inoue, Wataru Shimoda et al.

Recent advancements in foundation models show promising capability in graphic design generation. Several studies have started employing Large Multimodal Models (LMMs) to evaluate graphic designs, assuming that LMMs can properly assess their quality, but it is unclear if the evaluation is reliable. One way to evaluate the quality of graphic design is to assess whether the design adheres to fundamental graphic design principles, which are the designer's common practice. In this paper, we compare the behavior of GPT-based evaluation and heuristic evaluation based on design principles using human annotations collected from 60 subjects. Our experiments reveal that, while GPTs cannot distinguish small details, they have a reasonably good correlation with human annotation and exhibit a similar tendency to heuristic metrics based on design principles, suggesting that they are indeed capable of assessing the quality of graphic design. Our dataset is available at https://cyberagentailab.github.io/Graphic-design-evaluation .

KhayTze Peong, Seiichi Uchida, Daichi Haraguchi

Recent diffusion-based generative models show promise in their ability to generate text images, but limitations in specifying the styles of the generated texts render them insufficient in the realm of typographic design. This paper proposes a typographic text generation system to add and modify text on typographic designs while specifying font styles, colors, and text effects. The proposed system is a novel combination of two off-the-shelf methods for diffusion models, ControlNet and Blended Latent Diffusion. The former functions to generate text images under the guidance of edge conditions specifying stroke contours. The latter blends latent noise in Latent Diffusion Models (LDM) to add typographic text naturally onto an existing background. We first show that given appropriate text edges, ControlNet can generate texts in specified fonts while incorporating effects described by prompts. We further introduce text edge manipulation as an intuitive and customizable way to produce texts with complex effects such as ``shadows'' and ``reflections''. Finally, with the proposed system, we successfully add and modify texts on a predefined background while preserving its overall coherence.

Daichi Haraguchi, Brian Kenji Iwana, Seiichi Uchida

This study analyzes the relationship between non-verbal information (e.g., genres) and text design (e.g., font style, character color, etc.) through the classification of book genres using text design on book covers. Text images have both semantic information about the word itself and other information (non-semantic information or visual design), such as font style, character color, etc. When we read a word printed on some materials, we receive impressions or other information from both the word itself and the visual design. Basically, we can understand verbal information only from semantic information, i.e., the words themselves; however, we can consider that text design is helpful for understanding other additional information (i.e., non-verbal information), such as impressions, genre, etc. To investigate the effect of text design, we analyze text design using words printed on book covers and their genres in two scenarios. First, we attempted to understand the importance of visual design for determining the genre (i.e., non-verbal information) of books by analyzing the differences in the relationship between semantic information/visual design and genres. In the experiment, we found that semantic information is sufficient to determine the genre; however, text design is helpful in adding more discriminative features for book genres. Second, we investigated the effect of each text design on book genres. As a result, we found that each text design characterizes some book genres. For example, font style is useful to add more discriminative features for genres of ``Mystery, Thriller \& Suspense'' and ``Christian books \& Bibles.''

Yugo Kubota, Daichi Haraguchi, Seiichi Uchida

Fonts convey different impressions to readers. These impressions often come from the font shapes. However, the correlation between fonts and their impression is weak and unstable because impressions are subjective. To capture such weak and unstable cross-modal correlation between font shapes and their impressions, we propose Impression-CLIP, which is a novel machine-learning model based on CLIP (Contrastive Language-Image Pre-training). By using the CLIP-based model, font image features and their impression features are pulled closer, and font image features and unrelated impression features are pushed apart. This procedure realizes co-embedding between font image and their impressions. In our experiment, we perform cross-modal retrieval between fonts and impressions through co-embedding. The results indicate that Impression-CLIP achieves better retrieval accuracy than the state-of-the-art method. Additionally, our model shows the robustness to noise and missing tags.

Wataru Shimoda, Naoto Inoue, Daichi Haraguchi et al.

While recent text-to-image models can generate photorealistic images from text prompts that reflect detailed instructions, they still face significant challenges in accurately rendering words in the image. In this paper, we propose to retouch erroneous text renderings in the post-processing pipeline. Our approach, called Type-R, identifies typographical errors in the generated image, erases the erroneous text, regenerates text boxes for missing words, and finally corrects typos in the rendered words. Through extensive experiments, we show that Type-R, in combination with the latest text-to-image models such as Stable Diffusion or Flux, achieves the highest text rendering accuracy while maintaining image quality and also outperforms text-focused generation baselines in terms of balancing text accuracy and image quality.

Daichi Haraguchi, Kiyoaki Shirai, Naoya Inoue et al.

Shortcut reasoning is an irrational process of inference, which degrades the robustness of an NLP model. While a number of previous work has tackled the identification of shortcut reasoning, there are still two major limitations: (i) a method for quantifying the severity of the discovered shortcut reasoning is not provided; (ii) certain types of shortcut reasoning may be missed. To address these issues, we propose a novel method for identifying shortcut reasoning. The proposed method quantifies the severity of the shortcut reasoning by leveraging out-of-distribution data and does not make any assumptions about the type of tokens triggering the shortcut reasoning. Our experiments on Natural Language Inference and Sentiment Analysis demonstrate that our framework successfully discovers known and unknown shortcut reasoning in the previous work.

Jun Muraoka, Daichi Haraguchi, Naoto Inoue et al.

In layout design for advertisements and web pages, balancing visual appeal and communication efficiency is crucial. This study examines automated text box placement in incomplete layouts, comparing a standard Transformer-based method, a small Vision and Language Model (Phi3.5-vision), a large pretrained VLM (Gemini), and an extended Transformer that processes multiple images. Evaluations on the Crello dataset show the standard Transformer-based models generally outperform VLM-based approaches, particularly when incorporating richer appearance information. However, all methods face challenges with very small text or densely populated layouts. These findings highlight the benefits of task-specific architectures and suggest avenues for further improvement in automated layout design.

Masaki Akiba, Shumpei Takezaki, Daichi Haraguchi et al.

This paper proposes a novel model of few-part-shot font generation, which designs an entire font based on a set of partial design elements, i.e., partial shapes. Unlike conventional few-shot font generation, which requires entire character shapes for a couple of character classes, our approach only needs partial shapes as input. The proposed model not only improves the efficiency of font creation but also provides insights into how partial design details influence the entire structure of the individual characters.

Sho Shimotsumagari, Shumpei Takezaki, Daichi Haraguchi et al.

The purpose of this paper is to enable the conversion between machine-printed character images (i.e., font images) and handwritten character images through machine learning. For this purpose, we propose a novel unpaired image-to-image domain conversion method, CycleDM, which incorporates the concept of CycleGAN into the diffusion model. Specifically, CycleDM has two internal conversion models that bridge the denoising processes of two image domains. These conversion models are efficiently trained without explicit correspondence between the domains. By applying machine-printed and handwritten character images to the two modalities, CycleDM realizes the conversion between them. Our experiments for evaluating the converted images quantitatively and qualitatively found that ours performs better than other comparable approaches.

Kazuki Kitajima, Daichi Haraguchi, Seiichi Uchida

This paper addresses the challenging task of estimating font impressions from real font images. We use a font dataset with annotation about font impressions and a convolutional neural network (CNN) framework for this task. However, impressions attached to individual fonts are often missing and noisy because of the subjective characteristic of font impression annotation. To realize stable impression estimation even with such a dataset, we propose an exemplar-based impression estimation approach, which relies on a strategy of ensembling impressions of exemplar fonts that are similar to the input image. In addition, we train CNN with synthetic font images that mimic scanned word images so that CNN estimates impressions of font images in the wild. We evaluate the basic performance of the proposed estimation method quantitatively and qualitatively. Then, we conduct a correlation analysis between book genres and font impressions on real book cover images; it is important to note that this analysis is only possible with our impression estimation method. The analysis reveals various trends in the correlation between them - this fact supports a hypothesis that book cover designers carefully choose a font for a book cover considering the impression given by the font.

Wataru Shimoda, Daichi Haraguchi, Seiichi Uchida et al.

Editing raster text is a promising but challenging task. We propose to apply text vectorization for the task of raster text editing in display media, such as posters, web pages, or advertisements. In our approach, instead of applying image transformation or generation in the raster domain, we learn a text vectorization model to parse all the rendering parameters including text, location, size, font, style, effects, and hidden background, then utilize those parameters for reconstruction and any editing task. Our text vectorization takes advantage of differentiable text rendering to accurately reproduce the input raster text in a resolution-free parametric format. We show in the experiments that our approach can successfully parse text, styling, and background information in the unified model, and produces artifact-free text editing compared to a raster baseline.

Taiga Miyazono, Brian Kenji Iwana, Daichi Haraguchi et al.

When fonts are used on documents, they are intentionally selected by designers. For example, when designing a book cover, the typography of the text is an important factor in the overall feel of the book. In addition, it needs to be an appropriate font for the rest of the book cover. Thus, we propose a method of generating a book title image based on its context within a book cover. We propose an end-to-end neural network that inputs the book cover, a target location mask, and a desired book title and outputs stylized text suitable for the cover. The proposed network uses a combination of a multi-input encoder-decoder, a text skeleton prediction network, a perception network, and an adversarial discriminator. We demonstrate that the proposed method can effectively produce desirable and appropriate book cover text through quantitative and qualitative results.

Jihun Kang, Daichi Haraguchi, Seiya Matsuda et al.

Styles of typefaces or fonts are often associated with specific impressions, such as heavy, contemporary, or elegant. This indicates that there are certain correlations between font shapes and their impressions. To understand the correlations, this paper realizes a shared latent space where a font and its impressions are embedded nearby. The difficulty is that the impression words attached to a font are often very noisy. This is because impression words are very subjective and diverse. More importantly, some impression words have no direct relevance to the font shapes and will disturb the realization of the shared latent space. We, therefore, use DeepSets for enhancing shape-relevant words and suppressing shape irrelevant words automatically while training the shared latent space. Quantitative and qualitative experimental results with a large-scale font-impression dataset demonstrate that the shared latent space by the proposed method describes the correlation appropriately, especially for the shape-relevant impression words.

Daichi Haraguchi, Shota Harada, Brian Kenji Iwana et al.

There are a countless number of fonts with various shapes and styles. In addition, there are many fonts that only have subtle differences in features. Due to this, font identification is a difficult task. In this paper, we propose a method of determining if any two characters are from the same font or not. This is difficult due to the difference between fonts typically being smaller than the difference between alphabet classes. Additionally, the proposed method can be used with fonts regardless of whether they exist in the training or not. In order to accomplish this, we use a Convolutional Neural Network (CNN) trained with various font image pairs. In the experiment, the network is trained on image pairs of various fonts. We then evaluate the model on a different set of fonts that are unseen by the network. The evaluation is performed with an accuracy of 92.27%. Moreover, we analyzed the relationship between character classes and font identification accuracy.